ALAIN CHAMFORT - LA GRÂCE (CLIP OFFICIEL). ARIAS FOR ANNA RENZI, THE FIRST OPERA DIVA

"L'IMPERMANENCE", l'album ultime d'Alain Chamfort. Disponible en Vinyle et CD ici 👉 https://Alain-Chamfort.lnk.to/LImperm...

CREDITS CLIP "La Grâce"

Réalisé par François Goetghebeur sur une idée de Pierre Dominique Burgaud.

Avec : Dominique A, Adamo, Juliette Armanet, Jean-Louis Aubert, Bertrand Belin, Benjamin Biolay, Francis Cabrel, Barbara Carlotti, Jeanne Cherhal, Chloé, Julien Clerc, Etienne Daho, Vincent Delerm, Keren Ann, Maissiat, Miossec, Serge Rezvani, Véronique Sanson, Alain Souchon, Laurent Voulzy.

(C)(P) 2024 Tessland sous licence exclusive BMG Rights Management (France) SARL

CREDITS CHANSON "La Grâce"

Artiste, compositeur : Alain Chamfort

Auteur : Pierre-Dominique Burgaud

(C)(P) 2024 Tessland sous licence exclusive BMG Rights Management (France) SARL

PAROLES

ne serait-ce qu’une fois hélas

ne serait-ce qu’un instant fugace

les mains sales, les ongles plein de crasse

aurai-je su toucher la grâce

ne serait-ce même qu’en surface

avec le bout de la godasse

comme on pousse une vieille carcasse

aurai-je su toucher la grâce

aurais-je su toucher les gens

autant que ceux qui m’ont touché

aurais-je sans l’avoir cherché

parlé d’eux en parlant de moi

aurais-je su toucher les gens

autant que ceux qui m’ont touché

trouver la part d’humanité

qu’on a tous indifféremment

ne serait-ce que de guerre lasse

sans ne plus y croire des masses

tabassé par la vie qui tabasse

aurai-je su fondre la glace

trouver une voie dans les congères

jusqu’au cœur de mes congénères

avant que je tombe en disgrâce

aurai-je effleuré cette grâce

aurai-je su toucher les gens

autant que ceux qui m’ont touché

aurai-je sans l’avoir cherché

parlé d’eux en parlant de moi

aurai-je su toucher les gens

autant que ceux qui m’ont touché

trouver la part d’humanité

qu’on a tous indifféremment

AND ALSO

offer,Arias for Anna Renzi the First Opera Diva

Roberta Invernizzi (soprano), Ensemble Sezione Aurea

• Release Date: 18th Nov 2022
• Catalogue No: 96716
• Label: Brilliant Classics

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Contents

Monteverdi: Disprezzata regina (L'incoronazione di Poppea)

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Cesti: L’Argia: Sinfonia

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Cesti: S’un guardo mi vines (from L’Argia)

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Rossi, Luigi: Passacaglia del signor Luigi

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Cima, G: Sonata a due, violino e violone

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Laurenzi: Oh, cara libertà

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Frescobaldi: Canzon prima Basso solo (1634)

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Ceresini: Simulacro d’amor

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Cesti: Ecco l’alba che ridente (from L’Argia)

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Laurenzi: Spero, aspetto e non viene (from La finta savia)

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Laurenzi: Per far nascere un chirone (from La finta savia)

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

Laurenzi: Stolta melanto ignuda (from La finta savia)

• Roberta Invernizzi (soprano)
• Ensemble Sezione Aurea

• About
• Explore

Anna Renzi (c. 1620 – after 1661) was an Italian soprano renowned for her acting ability as well as her voice, who has been described as the first diva in the history of opera. Born in Rome, Anna Renzi was highly popular in Vienna in 1640s and made her debut in 1640 at the Palazzo Pallavicini-Rospigliosi in the presence of Cardinal Richelieu, as Lucinda in Il favorito del principe by the young composer Filiberto Laurenzi, who continued to function as her teacher and/or accompanist in later years. She became the most celebrated and highest-paid singer of the age, and famous composers wrote especially for her. Composers tended to make use of the full extent of Renzi's voice, which spanned from middle C to high B-flat, and the four surviving non-Monteverdian settings of roles written for her (by Sacrati, Laurenzi, Cesti and Ziani) are characterized by strong dramatic, emotional and stylistic contrasts, designed to show off her uncanny command of vocal and expressive means.

This highly original program includes arias by Monteverdi, Laurenzi, Cesti, Rossi, Ceresini and Frescobaldi. Sung by Roberta Invernizzi,, one of the leading sopranos in Early Music, sometimes called “The Diva of Early Music”. She collaborated with Nikolaus Harnoncourt, Alan Curtis, Ottavio Dantone, Ton Koopman, Fabio Biondi, and many more. On this recording she is accompanied by Ensemble Sezione Aurea, conducted by Filippo Pantieri.