Constantinople to Istanbul: One City, Two Empires explores 1,600 years of extraordinary artistic production in one of the world’s most influential cities. Spanning AD 330 to 1922, it brings together remarkable works of art, design and architecture to reveal the enduring creative legacy of an imperial capital that shaped the Mediterranean world and far beyond.
The city once called Constantinople and now called Istanbul was the imperial and religious capital at the heart of two successive empires: the Byzantine (AD 330 – 1453) and the Ottoman (1453 – 1922), and the exhibition explores their distinct yet connected traditions of art and design, built across 16 centuries. It follows changes in patronage and production that reflect the ups and downs of the city’s history, and the lasting impact its creative output had in the Christian and Islamic worlds.
The
exhibition showcases over 200 objects across four main sections, including
rarely seen decorative arts, such as fine silks and textiles (including
historical dress), ceramic tiles, mosaics and tableware, precious metalwork and
jewellery, as well as sculpture and architectural furnishings, works on paper,
manuscripts and paintings.
Roman
Beginnings
Roman
Beginnings explores Constantinople’s refounding in AD 330 as the capital of a
unified Roman Empire under Constantine the Great. It introduces the city’s
strategic location and the infrastructure that underpinned its success, from
advanced water systems to fortified walls whose power was reinforced by icons
and relics. The section also evokes the Hippodrome, the social and political
centre of the city, where chariot races served as imperial spectacle and
propaganda.
Heaven
and Earth
The exhibition’s second section, Heaven and Earth, explores how art and architecture were put into service of Christianity and how Byzantine emperors adopted sacred imagery to project power and authority, while ensuring the survival of classical art and ideas.
Power
and Reach
Power and
Reach examines how the Ottoman court projected authority in peace and war
through visual spectacle. It highlights the role of luxury materials such as
silk, precious stones, ivory, silver and gold in shaping imperial identity,
brought to life through grand public processions.
Life in
the City
The final
section, Life in the City, explores the city as a cosmopolitan centre of
diverse languages, faiths and artistic traditions. It brings together rare
objects to reveal both religious coexistence and the rhythms of urban life,
from coffee houses and bathhouses to music and leisure. This section also
traces shifting tastes in the 19th century, when Parisian and other styles
increasingly shaped fashion, design and modern identity of Istanbulites.
The
exhibition concludes with the influence of Byzantine and Ottoman art on
19th-century Europe, highlighting prints, textiles and mosaic examples from the
V&A’s collection, including work by William Morris.
https://www.vam.ac.uk/articles/about-the-constantinople-to-istanbul-one-city-two-empires-exhibition?srsltid=AYCX9vJVDMuKDt1s1UJaMuCkwXayGnqsctvTLUbUVmYQIaXMTj5xPxof






