domingo, 11 de octubre de 2026

HISPANIA. UNA HISTORIA DE ROMA EN IBERIA. RUBÉN MONTOYA

 Sinopsis de Hispania. Una historia de Roma en Iberia

Un ensayo riguroso y evocador que reconstruye la evolución de la Hispania romana y su legado histórico.

Cuando las naves romanas llegaron a las costas de Iberia en el verano del 218 a.C., no desembarcaron en una tierra salvaje ni desconocida. Ante ellas se extendía un mosaico de pueblos, ciudades, lenguas y tradiciones que llevaban siglos conectando el extremo occidental del Mediterráneo con el resto del mundo antiguo.

 Lo que comenzó como una operación militar contra Aníbal acabaría transformándose en una de las aventuras políticas y culturales más decisivas de la Antigüedad: el nacimiento de Hispania.

Hispania. Una historia de Roma en Iberia recorre los siete siglos de presencia romana en la península y reconstruye el complejo encuentro entre Roma y los pueblos ibéricos. Lejos de ser una provincia periférica, Hispania fue uno de los grandes laboratorios del Imperio: escenario de guerras, mestizajes y profundas transformaciones sociales, económicas y culturales. Sus ciudades crecieron, sus élites alcanzaron el Senado y de sus tierras surgieron emperadores, intelectuales y obispos que ayudaron a moldear el destino de Roma.

En este libro, Rubén Montoya entrelaza el relato político y militar con la vida cotidiana, las tensiones sociales y las identidades múltiples que habitaron este territorio, iluminando los grandes momentos del recorrido con los hallazgos arqueológicos más recientes. Una historia plural, profundamente humana, narrada por un arqueólogo e historiador que conoce a Roma tanto desde sus fuentes como desde su tierra.

SANFRANCESCO800 (1226 – 2026) | STEFANO MANCUSO E IL CANTICO DELLA TERRA

Presentazione del libro

"Il cantico della terra"

di Stefano Mancuso (Laterza, 2025)

L’autore dialoga con

Antonella Magaraggia, presidente dell’Ateneo Veneto

Lorenzo Raniero, preside dell’Istituto Ecumenico “San Bernardino” di Venezia


RENOIR AND LOVE. MUSÉE D’ORSAY. CAFFÉ FLORIAN, VENEZIA

Until 31 January 2027

Sainsbury Wing


Fall in love with Renoir and his Impressionist paintings at the National Gallery.

Discover Renoir’s gift for showing love, friendship, and everyday emotion in this Impressionist exhibition. See couples waltzing in the summer air and lovers stealing a glance, families sharing a quiet moment and friends raising a glass, all through the eyes of an artist unmatched in capturing the complexities of how people connect.

Experience Renoir at his peak in the 1860s to 1880s, experimenting with style and theme to become an innovator of Impressionism. 

Walk with him through Montmartre in his iconic painting 'Bal au Moulin de la Galette' (1876) from the Musée d’Orsay, Paris, on display in the UK for the first time. Explore the sun-dappled gardens and swirling dance halls of Paris through 40 paintings, brought together from collections across the world.

Linked through friendship and love, enjoy the tenderness and joy of some of Renoir’s most modern, uplifting and admired paintings.

Exhibition organised by the Musée d’Orsay, the National Gallery and the Museum of Fine Arts, Boston.



CAFFÉ FLORIAN, VENEZIA

VOLUME FOTOGRAFICO
“CAFFÈ FLORIAN”

La realtà quotidiana del Caffè più antico d'Italia raccontata attraverso gli occhi di Berengo Gardin, invitato a passare una settimana intera al Florian, mimetizzato tra i clienti. 

Le fotografie scattate in quell'occasione, a cui si alternano alcuni scatti storici provenienti dal suo archivio, mostrano le Sale storiche, i dettagli degli arredi e le persone che, ieri come oggi, rendono il Florian un luogo unico nel cuore di Venezia.


QUASIMODO, THE SOUL OF PARIS: VINCENT CASSEL STARS IN NETFLIX'S HISTORICAL FILM. LA MODE AU SECOND EMPIRE, EXPOSITION, MUSÉE DE LA DENTELLE

Vincent Cassel stars as the man who reportedly inspired Victor Hugo's character in Quasimodo, the Soul of Paris, a historical film by Jean-François Richet, available on Netflix on November 27, 2026.


Vincent Cassel lends his features to the man said to have inspired one of Victor Hugo's most famous characters in Quasimodo, l’âme de Paris. Directed by Jean-François Richet, this French historical drama will hit Netflix on Netflix on November 27, 2026.

The story unfolds in Paris on the eve of the July Revolution. As public anger sweeps the streets and a cholera outbreak threatens the city, Quasimodo finds himself caught between political upheaval and an impossible love.

The film doesn’t directly retell Notre-Dame de Paris. Instead, it imagines the life of the man who inspired Victor Hugo’s famous bell ringer, before the novel appeared in 1831. This angle lets the story pit the character against 19th-century Parisian society, with its inequalities and the violence faced by those deemed “different.”

Who would be cast in Quasimodo, the Soul of Paris?

Anchored by Vincent Cassel, the cast also features Karim Leklou, Daphné Patakia, Benjamin Voisin, Noémie Lvovsky, Sébastien Pouderoux, Eli Nachmani and Alexis Rosenstiehl.

The roles of most of these actors have not yet been officially disclosed by Netflix. The platform, however, describes the film as a historical drama that blends a chase, unrequited love, and political unrest in a Paris beset by a spreading disease.

Quasimodo, the Soul of Paris marks another reunion for Vincent Cassel and Jean-François Richet. The director had already worked with the actor on the Mesrine duology, and later on The Emperor of Paris, another historical epic centered on a peripheral figure of the capital.

The screenplay is by Éric Besnard and Edgar Marie. Production is handled by Radar Films. The project sits among Netflix’s major French productions in development for 2026.

First poster unveiled ahead of the trailer

Netflix unveiled its first poster, showing Quasimodo bent at the foot of Notre-Dame’s towers, with the line “From the top of the towers, the people can be heard rumbling.” The image underscores the central role the Parisian revolt is poised to play in the narrative.

No official trailer has dropped yet. The first moving images will need to reveal, among other things, Vincent Cassel’s physical transformation, the nature of the impossible love at the story’s center, and how the film recreates 19th‑century Paris.

https://www.sortiraparis.com/en/what-to-do-in-paris/cinema-series/articles/352822-quasimodo-the-soul-of-paris-vincent-cassel-in-netflix-s-historical-film


EXPOSITION

La mode sous le Second Empire, usages et élégance au quotidien

 

Crinolines, dentelles, robes élégantes et accessoires raffinés : le Musée de la Dentelle de Chantilly invite à plonger dans l’univers de la mode sous le Second Empire. À travers douze reproductions de tenues féminines, l’exposition dévoile les codes vestimentaires d’une époque où le vêtement devient un véritable marqueur social. Une plongée dans les élégances du XIXᵉ siècle, entre essor du luxe, révolution industrielle et nouveaux usages.

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BEETHOVEN: COMPLETE VARIATIONS FOR PIANO, VOL. 3 CÉDRIC TIBERGHIEN

 


In this third volume, Cédric Tiberghien completes his tour of the art of variation in Beethoven and his later avatars. Taking in the experimental daring of Ligeti (Musica ricercata) and the poetic games of Kurtág (Játékok), this sweeping survey is completed with the Diabelli Variations, the absolute peak of Beethoven’s piano music.



https://store.harmoniamundi.com/release/588161-cdric-tiberghien-beethoven-complete-variations-for-piano-vol-3?lang=es

L'EXPOSITION REMEMBER ME À LA BOURSE DE COMMERCE, À PARIS UNTITLED (REMEMBER ME) 1988 BARBARA KRUGER

Sur un fond en noir et blanc reproduisant les stries de la peau se superposent deux cadres blancs, l’un arborant un œil surdimensionné, l’autre le message en anglais « remember me » en insistant sur le dernier mot. Un rapport de corrélation entre le sujet, le regard et le texte se crée, comme s’il en était l’auteur.

Barbara Kruger crée depuis les années 1970 un vaste corpus se fondant sur des reproductions photographiques en noir et blanc d’images trouvées servant de support à des motifs textuels, plus ou moins suggestifs et ironiques. Présentées comme de séduisants posters aux slogans percutants, ses œuvres, qui relèvent à la fois du langage publicitaire et de l’onirisme des surréalistes, délivrent une critique acerbe de la société contemporaine, sous différents aspects, du machisme à l’impersonnalisation en passant par la consommation à outrance.

L’œuvre Untitled (Remember Me) a été montrée pour la première fois par la Collection Pinault lors de l'exposition « Mapping the Studio » (2009-2011) à Punta della Dogana et à Palazzo Grassi à Venise.

https://lesoeuvres.pinaultcollection.com/fr/oeuvre/untitled-remember-me


Intitulée “Remember Me”, cette installation collective présente, du 7 octobre 2026 au 18 janvier 2027, les chefs-d’œuvre de la photographie de la Collection Pinault. Pour l’occasion, environ 700 œuvres de plus de 70 artistes sont dévoilées aux visiteurs, parmi lesquelles celles d’Erwin Blumenfeld, Henri Cartier-Bresson, de Man Ray, Lee Miller, Irving Penn, Cindy Sherman ou encore d’Annie Leibovitz, de Raymond Depardon, Robert Cumming, Helmut Newton, Meret Oppenheim, Robert Doisneau, Zanele Muhol et Hiroshi Sugimoto.

La Collection Pinault, qui rassemble plus de 8 000 tirages, entend ainsi rendre hommage au médium photographique et refléter toutes les esthétiques et techniques de cet art visuel qui continue à nous parler et nous faire de l’œil. Pour l’occasion, la Bourse de Commerce propose aux visiteurs une déambulation libre, sans chronologie, avec quatre traversées et pour fil conducteur la question de la mémoire. Du sous-sol au niveau 2 en passant par la sublime Rotonde - transformée pour l’occasion par Barbara Kruger - l’exposition se veut magistrale et chorale. Au sein des différentes galeries de la Bourse de Commerce, les œuvres se répondent et dialoguent entre les époques et les genres ; de la photographie patrimoniale à l’image contemporaine.

“IN THE MIDDLE OF THE WORLD: CRETE IN EUROPEAN CARTOGRAPHY FROM THE 16TH TO THE 18TH CENTURY. REPRESENTATIONS AND IDENTITIES”

 The temporary exhibitions at the Archaeological Museum of Heraklion offer opportunities to view the world from a different perspective. Their curatorial approach is not limited to presenting unknown or underappreciated works of art of outstanding significance. It aims to leave behind a legacy of images, knowledge, and questions that will stay with us for many years to come.

Crete in historical cartography from the 16th through the 18th centuries is depicted in fifty maps, each of which, in turn, tells the story of the deeds and daily lives of its people. The exhibition is the result of a collaboration between the Archaeological Museum of Heraklion and the curator of the British School of Archaeology at Knossos, Kostis Christakis, an archaeologist, and Nikos Skoutelis, a professor at the School of Architectural Engineering at the Technical University of Crete.

It gives us the opportunity to encounter Venetian-ruled Crete at the height of its power, its pivotal role at the crossroads of the maritime trade routes that made possible the world-historical dialogue between the West and the East, the Cretan War with its dramatic siege and the eventual fall of Chandakas, and finally the cartographic annexation of the island to Greece, which was already part of the victorious Ottoman Empire.

Through the dynamic relationship between cartographers and the world they were called upon to depict—from the topography, the natural and man-made environment, the inhabitants, the myths, and the history of the island to the universe itself— the artistic creation of maps emerged for more than three centuries as a field of science, experimentation, lived experience, political propaganda, questioning of reality, and utopian thought.

This meeting holds special symbolic significance, as it is taking place at the Heraklion Archaeological Museum, whose building houses the city’s ancient harbor—the very site where the Venetian monastery of St. Francis was built —a landmark for ships arriving at the port from all corners of the Mediterranean. It was in this monastery—after its conversion into the Hunkar Mosque—that the conqueror of the ruined Chandax offered his first prayer following twenty-one years of a grueling siege.

This exhibition explores this fascinating journey and comes to life with lectures, a roundtable discussion, a film screening, a workshop, and guided tours throughout its run, from September 29, 2026, to January 10, 2027.

Location: Archaeological Museum of Heraklion, Temporary Exhibition Hall

Temporary Exhibition: “In the Middle of the World: Crete in European Cartography from the 16th to the 18th Century. Representations and Identities”

Exhibition Opening: September 29, 2026, 6:30 p.m.

Exhibition Dates: September 29, 2026 – January 10, 2027

Hours: Hours of operation of the Heraklion Archaeological Museum

https://daysofart.gr/en/news/history-news/archaeological-museum-of-heraklion-temporary-exhibition-in-the-middle-of-the-world-crete-in-european-cartography-from-the-16th-to-the-18th-century-representations-and-identities/