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TATE BRITAIN. 22 FEBRUARY – 7 JULY 2024
John Singer Sargent Lady Agnew of Lochnaw (1864-1932) 1892
National Galleries of Scotland. Purchased with the aid of the Cowan Smith
Bequest Fund 1925
Fashion, identity, painting: explore the unique work of John Singer Sargent
Celebrated for his striking portrait paintings, this exhibition sheds new light on John Singer Sargent’s acclaimed works. It explores how he worked like a stylist to craft the image of the sitters he painted, who he often had close relationships with.
Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.
Almost 60 of Sargent’s paintings will be on display, including major portraits that rarely travel. Several period garments will also be showcased alongside the portraits they were worn in. The show examines how this remarkable painter used fashion to create portraits of the time, which still captivate today.
Lead support with a generous donation from the Blavatnik Family Foundation. Additional support from the Sargent and Fashion Exhibition Supporters Circle and Tate Americas Foundation.
Organised by Tate Britain and the Museum of Fine Arts,
Boston. Both MFA Boston and Tate Britain received generous support for
international scholarly convenings and for the exhibition from the Terra
Foundation for American Art
https://www.tate.org.uk/whats-on/tate-britain/sargent-and-fashion
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