domingo, 14 de octubre de 2012

THE FRICK COLLECTION DE NUEVA YORK



The Frick Collection includes some of the best-known paintings by the greatest European artists, major works of sculpture (among them one of the finest groups of small bronzes in the world), superb eighteenth-century French furniture and porcelains, Limoges enamels, Oriental rugs, and other works of remarkable quality.


Several special exhibitions are scheduled annually. Use the following links, or use the links at left, to see our featured or current exhibitions and installations, or future exhibitions. You may also visit previous exhibitions and installations or purchase catalogues of past shows from our Museum Shop.


Mantegna to Matisse: Master Drawings from The Courtauld Gallery 
October 2, 2012, through January 27, 2013
In keeping with its tradition of exhibiting masterworks from collections outside of New York, the Frick will present fifty-eight drawings from The Courtauld Gallery, London. This exhibition marks the first time that so many of the principal drawings in The Courtauld's renowned collection — one of Britain's most important — have been made available for loan. The prized sheets represent a survey of the extraordinary draftsmanship of Italian, Dutch, Flemish, German, Spanish, British, and French artists active between the late Middle Ages and the early twentieth century. The survey features works executed in a range of drawing techniques and styles and for a variety of purposes, including preliminary sketches, practice studies, aide-mémoires, designs for other artworks, and finished pictures meant to be appreciated as independent works of art. Among the artists in the Frick's exhibition will be Andrea Mantegna, Leonardo da Vinci, Albrecht Dürer, Michelangelo Buonarroti, Peter Paul Rubens, Jusepe de Ribera, Rembrandt Harmensz van Rijn, Jean-Antoine Watteau, Charles-Joseph Natoire, Thomas Gainsborough, Francisco Goya y Lucientes, Joseph Mallord William Turner, Théodore Géricault, Edgar Degas, Paul Cézanne, Vincent van Gogh, Georges Seurat, Henri Matisse, and Pablo Picasso.
The exhibition is organized by Colin B. Bailey, the Frick's Deputy Director and Peter Jay Sharp Chief Curator, and Stephanie Buck, Martin Halusa Curator of Drawings at The Courtauld Gallery. The show, which is accompanied by a scholarly catalogue, opened first at The Courtauld Gallery and ran from June 14 to September 9, 2012. It travels to New York this October and will be a highlight of the Frick's fall exhibition program.
 Vincent van Gogh's Portrait of a Peasant (Patience Escalier)
October 30, 2012, through January 20, 2013

This fall The Frick Collection will present Vincent van Gogh's Portrait of a Peasant (Patience Escalier). The painting has not left its home institution, the Norton Simon Museum, in Pasadena, CA, in nearly forty years, making this a particularly rare and exciting viewing opportunity for East Coast audiences. This modern masterpiece will be shown in the Frick's Oval Room from October 30, 2012, through January 20, 2013, and will be accompanied by lectures and gallery talks. The special loan is part of an ongoing exchange program with the Norton Simon Museum that began in 2009 when a group of five works from the sixteenth and seventeenth centuries travelled to New York. Other loans have followed: the Frick'sComtesse d'Haussonville by Ingres was shown at the Norton Simon in the fall of 2009, and Memling's Portrait of a Man is currently on view there, remaining through the end of April.


The van Gogh presentation in New York is being coordinated by Frick Senior Curator Susan Galassi, who comments, "Our exchange program with the Norton Simon Museum has offered both institutions opportunities to see their works in different contexts. For the most part, we have featured artists not represented in our own holdings, as is the case with the selection of this remarkable van Gogh portrait. In this instance, the timing feels particularly fortunate, as we've spent the last year focusing on artists — Renoir and Picasso — active in the late nineteenth and early twentieth centuries and somewhat contemporary to museum founder Henry Clay Frick. These efforts have led us to consider, among other things, the influences upon these later artists by forebears such as Rembrandt, and placing a van Gogh among our holdings in the coming fall is sure to continue this exploration fruitfully."





Visitors to The Frick Collection will be able to enjoy a new gallery — the first major addition to the museum's display spaces in nearly thirty-five years. The inspiration for this initiative, which involves the enclosure of the portico in the Fifth Avenue Garden, comes from the intention of museum founder Henry Clay Frick (1849–1919) to build an addition to his 1914 mansion for his growing collection of sculpture. The project was postponed in 1917 following the United States entry into World War I, and Mr. Frick died before it could be resumed. In recent years, the institution has placed greater focus on sculpture through critically acclaimed exhibitions and several key acquisitions, while also evaluating the effectiveness of the display and lighting of such objects. Another area of increased focus has been the decorative arts. When talks began with renowned porcelain collector Henry H. Arnhold about a promised gift, the idea to create a gallery both for sculpture and the decorative arts was revisited. The architecture firm Davis Brody Bond developed a plan to integrate the outdoor garden portico into the fabric of the museum, and groundbreaking occurred last winter. Davis Brody Bond is one of the leading practices in the United States engaged in a range of museum and landmark structure commissions.
The Portico Gallery opened with an inaugural exhibition of works drawn from Henry Arnhold's promised gift of 131 examples of Meissen porcelain from the early years of this Royal Manufactory's production. On view through January 6, 2013, White Gold: Highlights from the Arnhold Collection of Meissen Porcelain features approximately seventy of these objects. The porcelain is presented with two eighteenth-century sculptures by Jean-Antoine Houdon: The Dead Thrush, a long-term loan from the Horvitz Collection, Boston, and Diana the Huntress, a signature work of The Frick Collection.


For questions about visiting The Frick Collection, see Visitor Information.

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