The 40-year relationship that unfolded between Toklas and Stein became the bedrock of Paris’s artistic avant-garde.
by Sarah Rose Sharp
Photograph of
Gertrude Stein in her salon, writing (1920) (all images courtesy Yale
University’s Beinecke Rare Book & Manuscript Library)
The relationship between American novelist, poet, and art patron
Gertrude Stein, and her American life partner and Parisian scene doyenne Alice
B. Toklas is one of the most influential meetings of minds in the last century.
The pair met in Paris in 1907, and the 40-year relationship that unfolded became
the bedrock of the Parisian avant-garde for artists and writers, producing not
only Stein’s own famously experimental writing, but also fostering the careers
of artists like Henri Matisse, Georges Braque, and Pablo Picasso.
This literally storied relationship — captured in Stein’s
breakthrough quasi-memoir, The Autobiography of Alice B. Toklas (1933) — can be
examined in historic detail via the Gertrude Stein and Alice B. Toklas Papers,
an archival collection of manuscripts, letters, photographs, art, and even
clothing, housed at Yale University’s Beinecke Rare Book & Manuscript
Library. A 1947 essay by Donald Gallup for the Yale University Library Gazette
(Vol. 22, No. 2) details the acquisition of the Stein archive, following the
author’s death in 1946, due largely to her close friendships with playwright
Thornton Wilder and her literary executor Cal Van Vechten, both of whom had
strong ties to Yale. The papers span the years 1837-1961 — including the two
women’s separate upbringings in turn of the 19th century California — with only
a selection of the archive currently available online.
Among those 519 items currently digitized, there are a wealth of black and white photographs, letters, and notes between the two partners, as well as from family and friends, the majority of Stein’s literary output, and a host of charming ephemera from their daily lives. Series I of the collection includes holograph and typescript drafts of the majority of Gertrude Stein’s writings, including “The Autobiography of Alice B. Toklas,” “The Making of Americans” (complete with a quantity of notes, or “studies”), “Tender Buttons” and a group of unpublished fragments and carnets, notebooks kept by Stein with preliminary drafts of writings.
Gertrude Stein with
Basket II and Marie Laurencin’s portrait of Basket II (ca 1940-46)
The archive contains letters sent from a wide variety of Stein’s
friends: artists such as Georges Bracque, Jean Cocteau, and Pablo Picasso;
writers such as Sherwood Anderson, Ernest Hemingway, and Thornton Wilder; and
acquaintances through many years such as Mildred Aldrich, Etta and Claribel
Cone, Robert Haas, Mabel Dodge Luhan, Sir Francis Rose, Virgil Thomson, and
Carl Van Vechten. It also contain letters from many of the same people, the
latter group containing Alice Toklas’s correspondence following Gertrude
Stein’s death.
Portions of the archive on personal papers and clippings gather
together various personal effects of Stein and Toklas as well as documentation
of Stein’s life as reported during her lifetime. Series VII, Photographs, show
Stein from early childhood through 1946, the year she died. Prints showing
Alice Toklas, various friends, artworks, and locales are included in this
series, as are several volumes of prints made by Carl Van Vechten. The trove
also contains numerous artworks and objects given by Stein and Toklas,
including a painting by Pablo Picasso and a sketch by Henri Matisse.
For fans of Stein or Toklas; those with a desire to peek into the
lives some of the most famous characters in art and literary history; or anyone
looking for a cross-section of life during an extraordinary period of
international change and expansion, the collection is an incomparable treasure.
It not only captures the exceptional nature of Stein and Toklas’s lives and
relationship, but offers details of them at their most human.
https://hyperallergic.com/665197/objects-that-help-tell-the-story-of-gertrude-stein-and-alice-b-toklas-romance/
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