16 SEPTEMBER – OFFENBACH’S LA PRINCESSE DE TRÉBIZONDE
Paul Daniel conducts London Philharmonic
Orchestra
Queen Elizabeth Hall, 7.30pm
Anne-Catherine Gillet (Zanetta); Virginie
Verrez (Le Prince Raphael); Christophe Gay (Cabriolo); Antoinette Dennefeld
(Régina); Josh Lovell (Le Prince Casimir); Katia Ledoux (Paola); Christophe
Mortagne (Trémolini); Loïc Félix (Sparadrap); Opera Rara Chorus
On Friday 16 September, Opera Rara brings
Offenbach’s 1869 comic operetta La Princesse de Trébizonde to London’s Queen
Elizabeth Hall. Regarded as the ‘grandfather of musical theatre’, Jacques
Offenbach’s prolific output showed how high-quality music making could go hand
in hand with mass appeal paving the way for the likes of Gilbert & Sullivan
and Andrew Lloyd Webber.
Offenbach’s popularity today is most notably
recognised in the endurance of his ever-popular French cancan, the given name
for the ‘Infernal Galop’ from Orpheus in the Underworld, his first big hit
after founding the Théâtre des Bouffes-Parisiens in 1855. But his popularity at
the time cannot be overstated and, the three-act version of La Princesse de
Trébizonde, presented in Paris in late 1869, was another huge success, not only
enjoying multiple revivals in Paris but in European capitals including
Brussels, Madrid, Copenhagen and London where it was translated into English
for performances at the Gaiety Theatre attended by the composer himself.
23 SEPTEMBER – LEONCAVALLO’S ZINGARI (ORC61)
Carlo Rizzi conducts Royal Philharmonic
Orchestra
On Friday 23 September 2022, Opera Rara’s recording of
Leoncavallo’s Zingari will be released internationally by Warner Classics.
Artistic Director Carlo Rizzi conducts the restored original version of Zingari
as it was first heard over 100 years ago at its London world première. Recorded
in the studio prior to a performance at London’s Cadogan Hall with the Royal
Philharmonic Orchestra, Krassimira Stoyanova sings the role of Fleana and is
joined by Arsen Soghomonyan as Radu, Stephen Gaertner as Tamar and Łukasz
Goliński as Il Vecchio, together with the Opera Rara Chorus.
Premièred in September 1912 at London’s Hippodrome Theatre and
conducted by the composer himself, Zingari was commissioned by the theatre
which, the previous year, had invited Leoncavallo to present his first opera
Pagliacci. Based on a poem written in 1827 by Alexander Pushkin, the one-act
Zingari marked Leoncavallo’s return - both musically and in length - to the
verismo style of Pagliacci written 20 years earlier and already part of the
established repertory.
press@macbethmediarelations.co.uk
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