The Art of Sound: A Visual
History for Audiophiles by Terry Burrows is an illustrated history of recorded
sound, from gramophones to the rise of digital.
Allison Meier
The Chocolate Record Player (1902), a Stollwerck gramophone, was a novelty toy designed to play chocolate discs. Stollwerck had been founded in Germany in 1839, and by the end of the century it was one of the world’s biggest confectionary companies. The novel idea was that the tiny (3 1/16-inch; 7.6-cm), vertically cut chocolate records could be eaten after use. This was nonetheless a working gramophone: the ornate green tin model was powered by a Junghauns clock motor (courtesy EMI Archive Trust)
In 1902, the Stollwerck confectionary company of Germany released a gramophone that played tiny chocolate discs. After listening to their tunes, users could eat the music. It was a short-lived novelty, and one of the more whimsical experiments in the sound recording and playback history chronicled in The Art of Sound: A Visual History for Audiophiles.
The book by Terry Burrows, a music author and musician known by his alias, Yukio Yung, was
recently released by Thames & Hudson. It’s a publication designed with
appealing details for the titular audiophiles, from blue pages illustrated with
patent illustrations dividing the four chronological sections, to high-quality
photographs of objects from at EMI Archive Trust. They include archival
material and some incredible rarities, like a 1905 luxury Monarch gramophone
made of oak, which was given to Captain Robert Falcon Scott by the Gramophone
Company and taken on the ill-fated Terra Nova Expedition on which every party
member died. When the gramophone was later recovered from one of the
expedition’s icy camps, it was still in working order.
The Art of Sound is
straightforward in its timeline of text and visuals, beginning in 1857 with
Édouard-Léon Scott de Martinville’s phonautograph, the first device for
recording sound, and continuing to 2015, when streamed music outpaced online
audio downloads. Music technology aficionados may already be familiar with much
of this history, which covers the rise of the magnetic era as well as its
decline with the emergence of the compact disc, and the book seems more aimed
at people who are interested in music, but perhaps don’t know about all the
engineering and design history behind it. Short biographies highlight
well-known figures like Thomas Edison, who invented the phonograph, as well as
more unsung innovators, such as Alan Blumlein, who developed stereophonic sound
and was killed at the age of 38 during a World War II airborne radar system
test.
On the topic of our current
listening habits Burrows notes that, “As with many other aspects of modern
life, the way in which we consume music has been metamorphosed by the
internet.” Vinyl still has its adherents; rarer are the listeners who
appreciate the textural character of wax cylinders or the stereophonic
gramophone. That hardware history is central to The Art of Sound, where each
progression, from acoustic, to electrical, to magnetic, to digital, altered the
way we physically relate to music.
“Nipper and the
Gramophone”: The “His Master’s Voice” brand began as an 1898 painting of a dog
named Nipper by his owner, the artist Francis Barraud (pictured). Originally,
Nipper was seen staring down the horn of an Edison-Bell phonograph. The manager
of the Gramophone Company in London agreed to buy the painting if the
phonograph was replaced with one of his company’s own gramophones (courtesy EMI
Archive Trust)
EMI, which holds many of the artifacts in the book, was formed when the Gramophone Company and the Columbia Phonograph Company merged in 1931. If you’re hungry for more old-timey audio images, the EMI Archive Trust has a Flickr gallery of photographs from the early years of the Gramophone Company; other resources related to their collections are on their site……………..
https://hyperallergic.com/387579/from-chocolate-gramophones-to-mp3s-the-history-of-sound-in-images/
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