There are two types of games: finite and infinite. Finite games have clearly defined rules and boundaries, and all players know what the objectives are and what they need to do to win. Infinite games have no clear rules and there is no winning or losing – the only objective is to keep playing. Business is an infinite game, but too many companies are playing with a finite mindset.
In this episode, we’ll talk about the five
essential practices for cultivating an infinite mindset. These lessons are
crucial to the times we’re living through right now. Stay tuned for a special
interview coming this week 😉
The benefits of an infinite mindset is
obvious. The rise of great societies, advancements in science and medicine,
exploration of space – these all happened because large groups of people,
united in a common cause, chose to collaborate even though there was no clear
end in sight.
But maintaining an infinite mindset is hard.
There are pressures all around forcing us back to a finite mindset. The results
are all too familiar: annual rounds of mass layoffs to meet arbitrary profit
projections, cut-throat high-pressure work environments, dishonest and
unethical business practices that reward toxic behaviour, and rewarding leaders
who care more about themselves than the people they’re in charge of.
Great leaders are the ones who think beyond
short term and focus on the long term. They are the ones who know that it is
not about the next quarter or the next election, it is about the next
generation...........
https://www.whatyouwilllearn.com/book/the-infinite-game/
At the age of 90 dies the singer and actress Renate Holm
Renate Holm died this Thursday (April 21) in Vienna at the age of 90. The Volksoper Wien announced this on its website. The soprano completed 461 performances in the house. “Even after the end of her career, she regularly attended our premieres and remained connected to the Volksoper as a viewer to the end,” said the opera. She made her debut there in 1957 as Helene in the premiere of “Ein Walzertraum” and moved to the Vienna State Opera in 1961.
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