The coming
week is a bonanza for lovers of opera rarities. On Sunday, May 1, at the Rose
Theater, the dependable company Opera Lafayette offers staged scenes from a
three operas on classical subjects that had their premieres during the French
Revolution: Martini’s “Sapho,” Cherubini’s “Medée” and Sacchini’s “Oedipe à
Colone.” (8 p.m., 60th Street and Broadway, 212-721-6500; jalc.org.)
Hiroyuki Ito for The New York Times
The action moves to Renaissance
Italy on Wednesday, when the Opera Orchestra of New York presents Donizetti’s
“Parisina d’Este” at the Rose Theater with that company’s venerable founder,
Eve Queler, conducting the soprano Angela Meade in the title role. In the
1970s, Ms. Queler led the opera here, with Montserrat Caballé as Parisina, and
some memories surely go back that far. On Friday at Zankel Hall, the
early-music maestro Nicholas McGegan and his intrepid ensemble Philharmonia
Baroque reintroduce Scarlatti’s long-forgotten opera “La Gloria di Primavera,”
first performed in 1716, with a cast that includes Diana Moore, Douglas
Williams and Nicholas Phan. (7:30 p.m., 212-247-7800, carnegiehall.org.)
http://www.nytimes.com/2016/05/01/arts/music/eve-queler-revisitsopera-orchestra-asguest-conductor.html?rref=collection%2Ftimestopic%2FClassical%20Music&action=click&contentCollection=timestopics®ion=stream&module=stream_unit&version=latest&contentPlacement=2&pgtype=collection
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