11–31 MARCH 2017
Kasper Holten makes his
farewell as The Royal Opera’s Director of Opera with Wagner’s comic opera,
conducted by Antonio Pappano and starring Bryn Terfel.
Walther falls in love with
Eva. When he discovers that she shall marry the man who wins the Mastersingers’
song competition, he determines to be that man. However, his Trial Song to
enter the guild is rejected, and Walther leaves full of contempt for the
Mastersingers’ backwards ways.
Walther attempts to elope
with Eva, but their efforts are confounded by a midsummer riot. Instead, the
Mastersinger Hans Sachs helps Walther write a new song for the competition.
This new song extends but also respects the formal rules of the Mastersingers,
who are swept away by its ardour and award Walther the prize.
Wagner’s Die Meistersinger
von Nürnberg celebrates and investigates the nature of art, through music of
great warmth and extraordinary technical accomplishment. It is Wagner’s only
mature comedy, and for it he created a cast of strong characters led by the
cobbler Hans Sachs, inspired by the real-life 16th-century Meistersinger.
Musical highlights abound: the triumphant overture, the astonishing Midsummer
riot and Walther’s winning Prize Song ‘Morgenlich leuchtend in rosigem Schein’,
culminating in an overwhelming final celebration of the value of national
culture. However, this very German nationalism has long exposed the opera to
particular scrutiny, making Die Meistersinger the most complexly received opera
in Wagner’s output.
Kasper Holten ends his
tenure as The Royal Opera’s Director of Opera with this new production. He
finds parallels between the hierarchical, tradition-bound ways of the
Meistersingers and the historical ritual and pageantry still evident in today’s
London – thus teasing out Wagner’s wider considerations on the relationship
between audiences, critics and artists. Regular collaborators Mia Stensgaard
and Anja Vang Kragh create the designs.
http://www.roh.org.uk/productions/die-meistersinger-von-nurnberg-by-kasper-holten
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