Starting today anyone can legally remix and republish classics that
include Thomas Mann’s The Magic Mountain, W. E. B. Du Bois’s The Gift of Black
Folk, and Buster Keaton’s Sherlock, Jr.
Hakim Bishara
Lobby card for the 1924 film Peter Pan, the
first adaptation of the book to film (Wikimedia Commons)
Public Domain Day is here, and there’s much to celebrate. Starting
today, January 1, anyone can legally access, remix, and republish (depending on
your jurisdiction) classics like George Gershwin’s “Rhapsody in Blue,” Thomas
Mann’s The Magic Mountain, W. E. B. Du Bois’s The Gift of Black Folk, Buster
Keaton’s Sherlock, Jr, and the first film adaptation of Peter Pan.
These works belong to thousands of titles from 1924 that will enter
the public domain in 2020 after being copyrighted for 95 years.
These copyright-free works will be available on the Internet
Archive, Hathi Trust, and Google Books, which will offer the full text of the
books, instead of showing only snippet views or partial previews.
This means that educators and historians can share the texts;
community theaters can screen the films; youth orchestras can publicly perform
classics; and creators can legally reimagine the books, films, and songs from
1924.
One other major benefit of the public domain is that it gives a
second life to cultural materials that might otherwise be lost to history. “The
vast majority of works from 1924 are out of circulation,” writes Balfour Smith,
program coordinator of Duke’s Center for the Study of the Public Domain in a
blog post. “When they enter the public domain in 2020, anyone can make them
available online, where we can discover, enjoy, and breathe new life into
them.”
In the past, copyright protection in the
United States lasted for 75 years. That changed with the 1998 Copyright Term
Extension Act, which gave works published from 1923 through 1977 a 95-year
term.
Here are some more films, books, and music you
can enjoy copyright-free in 2020, as compiled by Duke’s Center for the Study of
the Public Domain:
Films
The first film adaptation of Peter Pan
Buster Keaton’s The Navigator
Harold Lloyd’s Girl Shy and Hot Water
The Sea Hawk
Secrets
He Who Gets Slapped
Dante’s Inferno
Books
Pablo Neruda, Twenty Love Poems and a Song of Despair
Jelly Roll Morton, King Porter Stomp
E.M. Forster, A Passage to India
Ford Madox Ford, Some Do Not … (the first
volume of his “Parade’s End” tetralogy)
Eugene O’Neill, Desire Under the Elms
Edith Wharton, Old New York (four novellas)
Yevgeny Zamyatin, We (the English translation by Gregory Zilboorg)
A.A. Milne, When We Were Very Young
Hugh Lofting, Doctor Dolittle’s Circus
Edgar Rice Burroughs, Tarzan and the Ant Men
Agatha Christie, The Man in the Brown Suit
Lord Dunsany (Edward Plunkett), The King of
Elfland’s Daughter
Music
“Fascinating Rhythm” and “Oh, Lady Be Good”,
music by George Gershwin, lyrics by Ira Gershwin
“Lazy” by Irving Berlin
“Jealous Hearted Blues” by Cora “Lovie” Austin
(composer, pianist, bandleader) (recorded by Ma Rainey)
“Santa Claus Blues” by Charley Straight and Gus Kahn (recorded by
Louis Armstrong)
“Nobody’s Sweetheart”, music by Billy Meyers and Elmer Schoebel,
lyrics by Gus Kahn and Ernie Erdman
But not all the works of art released in 1924
were masterpieces. To cool off some of the excitement about this year’s Public
Domain Day, Slate put together a list of the worst of 1924, according to
critics of the time.
Last year’s list of public domain newcomers
included more works of visual arts, as Hyperallergic reported. Works included
Marcel Duchamp’s “The Bride Stripped Bare By Her Bachelors, Even (The Large
Glass)” (1915–23), Max Ernst’s “Pietà or Revolution by Night” (1923), and
Wassily Kandinsky’s “On White II” (1923). The list also included Kahil Gibran’s
book The Prophet, Virginia Woolf’s Jacob’s Room, and Charlie Chaplin’s film The
Pilgrim.
https://hyperallergic.com/535370/the-books-films-and-songs-entering-the-public-domain-in-2020/?utm_medium=email&utm_campaign=D010220&utm_content=D010220+CID_871ae036a0c53c248c8e70d75e14312b&utm_source=HyperallergicNewsletter
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