october
7, 2015 to january 10, 2016
From
about 1515 until his death, Andrea del Sarto (1486–1530) ran the most
successful and productive workshop in Florence, not only leaving his native
city richly decorated with his art but also greatly influencing the art
produced in the remainder of the century.
By 1700, however, Andrea’s reputation
had declined, not to be revived until the publication of monographs by Sydney
Freedberg and John Shearman in 1963 and 1965, respectively. Although his oeuvre
represents the essence of Florentine High Renaissance creativity and the
magisterial beauty of his - See more at: This is the first
major monographic exhibition on this artist ever to be presented in the United
States (and the first in nearly thirty years shown anywhere).
Assembled from the J. Paul Getty
Museum, the Louvre, the Uffizi, Palazzo Pitti, the National Gallery of Art, the
British Museum, and other major institutions, this selection of nearly fifty
drawings — red and black chalk figures, expressive heads, and compositional
studies — and three related paintings explores the important role of drawing in
Andrea del Sarto’s paintings and offers an unprecedented display of the two
media in concert.
By showing drawings with their completed paintings and by
bringing together works that relate to specific commissions, the exhibition
sheds new light on the artist’s creative process.
Andrea del Sarto: The Renaissance
Workshop in Action, organized by The Frick Collection and the J. Paul Getty
Museum, opened in Los Angeles in summer 2015, prior to coming to New York in
the fall of 2015. A richly illustrated scholarly catalogue written by an
international team of Renaissance scholars and drawings experts provides
further focused investigation and appreciation of Andrea del Sarto’s working
process.
http://www.frick.org/exhibitions/del_sarto#sthash.1kJn1VJw.dpuf
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