A group of local artists,
activists, and community members is demanding that the Institute of
Contemporary Art in Boston “pull the show.”
Claire Voon
Dana Schutz, “Shaking Out
the Bed” (2015), on view at the ICA Boston (image courtesy the artist and Petzel,
New York; © DanaSchutz)
An 18-week exhibition
dedicated to Dana Schutz’s recent work opened today at the Institute of
Contemporary Art (ICA) in Boston, and it won’t be without controversy.
Protestors released an open letter yesterday expressing their disappointment
that the museum is honoring an artist they believe should instead be held
accountable for her portrait of Emmett Till, “Open Casket” (2016), which many
see not only as an insult to Till’s memory but also as a white woman’s violent
vision of a history that isn’t hers.
Addressed to curator Eva
Respini and her team, the six-page open letter outlines the concerns of the
group of local artists, activists, and community members, followed by a list of
their working demands. They include this request: “Please pull the show. This
is not about censorship. This is about institutional accountability.”
The splotchy painting of a
14-year-old Till — which sparked a protest earlier this year while on display
at the Whitney Biennial as well as furious debate over censorship, race and
representation, and white privilege in the art world — is not on view at the
ICA. But the letter writers argue that the museum’s support of Schutz, which
marks an institutional continuation of the Whitney’s own backing, will ultimately
benefit both itself and an artist they believe should reap no rewards for
delivering trauma.
Installation view of the
2017 Whitney Biennial with Dana Schutz’s “Open Casket” (2016) at center (photo
Hrag Vartanian/Hyperallergic)
“The institution will be
participating in condoning the coopting of Black pain and showing the art world
and beyond that people can co-opt sacred imagery rooted in oppression and face
little consequence,” the letter reads, “contributing to and perpetuating
centuries-old racist iconography that ultimately justifies state and socially
sanctioned violence on Black people.”
The writers include Megan Smith,
Allison Disher, and Stephanie Houten, who were among nine people the ICA
invited to meet with Respini to discuss issues around the show, simply titled
Dana Schutz. As the letter describes, the group spoke with museum staff last
week for three hours on the museum’s responsibility to the communities it
serves and how the exhibition may impact Boston’s black community and other
people of color. The ICA decided to move forward with the show, and the group
left with “many questions unanswered.” To continue the dialogue, they published
the open letter.
“We question whether this
exhibition is appropriate or responsible in the context of the sacrifice of
Black bodies that is still exerting trauma on urban streets and in urban
neighborhoods across the country,” the group writes. “We do not feel that the ICA
is making a responsible decision as an institution of art and culture. At this
point we are unconvinced that ICA has the will to challenge the egregiousness
of continued institutional backing of this type of violent artifact. People’s
humanity cannot be up for debate.”
Dana Schutz, “Crawling”
(2016) (image courtesy the artist and Petzel, New York. © DanaSchutz)
The museum had invited
Schutz to exhibit her work two years ago. In the wake of the controversy around
“Open Casket” this year, the show includes in its wall text a sentence that
addresses the discussions that ensued, but only vaguely.
“This year she was included
in the Whitney Biennial, where one of her paintings ignited a vigorous debate
around the role of art, artists, and institutions in the representation of
race, a conversation that resonates with larger issues in our current political
and cultural landscape,” it reads. “At its best, art has the potential to
illuminate aspects of our humanity, expose fault lines in the culture, engage
experiences both personal and universal, and inspire inquiry and dialogue.”
In a statement to
Hyperallergic, ICA director Jill Medvedow praised Schutz as “one of the leading
painters of her generation, and we wanted to share the exuberance, skill, and
vibrancy of her work with Boston audiences.
“This past March when her
painting ‘Open Casket’ was shown at the Whitney Biennial, there were a range of
responses, including many who felt that the painting embodied privilege and had
caused them pain,” Medvedow said. “Art often exposes the fault lines in our
culture, and ‘Open Casket’ raised difficult questions about cultural
appropriation, race, and representation. Though ‘Open Casket’ is not in the ICA
exhibition, we welcome the opportunity for debate and reflection on the issues
of representation and responsibility, sympathy and empathy, art and social
justice. Complex, challenging, sensitive, and urgent, these are issues
deserving of thoughtful discourse, and museums are one of the few places where
the artist’s voice is central to the conversation.”
The museum has organized
three programs related to the exhibition so far: a curator’s talk with Boston
Poet Laureate Danielle Legros-Georges; a forum with Harvard University’s
Hutchins Center for African and African American Research on representation and
responsibility; and a talk by artist Josephine Halvorson. Schutz, however, will
not be present at any of them. The first will occur in September, which the
letter writers argue is too late a date to begin having a public discussion
around the exhibition.
While they ultimately want
the ICA to pull the show, their other demands include the ICA hosting a
conversation with Schutz present as well as an exhibition text that addresses
“Open Casket” as “in line with a long tradition of white supremacy obscuring
and ultimately erasing narratives of the continued genocide of Black and
indigenous peoples.
“Please know that we will
continue to organize around this regardless of the decisions the ICA makes,”
the document concludes. The exhibition is ongoing through November 26.
https://hyperallergic.com/392451/dana-schutz-ica-boston-protesters-letter/?utm_medium=email&utm_campaign=Protesters%20Call%20on%20ICA%20Boston%20to%20Cancel%20Dana%20Schutz%20Show&utm_content=Protesters%20Call%20on%20ICA%20Boston%20to%20Cancel%20Dana%20Schutz%20Show+CID_f102e6b2afb2bb21a348351529c54f0d&utm_source=HyperallergicNewsletter&utm_term=Read%20More
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