BY CASEY LESSER
Photo by Grahm S.
Jones. Columbus Zoo and Aquarium, Ohio. After a photo shoot at the Columbus Zoo
in Ohio, a clouded leopard cub climbs on Sartore’s head. The leopards, which
live in Asian tropical forests, are illegally hunted for their spotted pelts. Courtesy
Joel Sartore/National Geographic Photo Ark.
National Geographic photographer Joel Sartore is accustomed to
taking photographs of the world’s most majestic creatures—from ocelots and
bengal tigers to elephants and octopi. But recently, he visited a research lab
at the University of Florida Gainesville to photograph bed bugs, carpenter
ants, and termites.
“When you get up close and you look at any of these things, they're
all amazing, they’re all remarkable,” Sartore says of the pests. The insects
were given same star treatment as the more revered species that populate his
ambitious photography project, the Photo Ark.
For over a decade, Sartore has traveled around the world, visiting
zoos, aquariums, and wildlife sanctuaries, on a mission to photograph every
animal species in human care—before they become extinct. He estimates that the
ambitious project will take an estimated 25 years to complete, and will
document some 12,000 species in total. More than simply an archive of the
world’s most beautiful creatures, it’s a wake-up call: If we don’t change the
way we treat the planet, half of the globe’s species could be gone by the year
2100.
An endangered baby
Bornean orangutan, Pongo pygmaeus, named Aurora, with her adoptive mother,
Cheyenne, a Bornean/Sumatran cross, Pongo pygmaeus x abelii, at the Houston
Zoo. Photo by Joel Sartore/National Geographic Photo Ark.
Sartore first came up with the concept in 2005, when his wife was
diagnosed with breast cancer and he took a year off from work to care for her. During
that time, he looked back on the conservation stories he had done for National
Geographic up to that point—covering everything from bald eagle recovery in the
U.S. to koala rescue in Australia.
“I’m interested in shooting pictures that can go to work,” Sartore
tells me. “They aren't just things that people look at and throw away; it
inspires them to take action.”
Prior to the Photo Ark, Sartore was well aware that a timely story
could have a measurable impact. One piece for National Geographic on Madidi
National Park in Bolivia had helped to prevent the government from building a
dam that would have drowned a thousand square miles of rainforest. But he found
that stories like these were too few, and their shelf life too short.
“I was able to think at length about how to spend the second half
of my life working towards conservation in a more meaningful, lasting way,” he
recalls. The Photo Ark was born.
A federally
endangered Florida panther, Puma concolor coryi, at Tampa's Lowry Park Zoo.
Photo by Joel Sartore/National Geographic Photo Ark.
The project not only draws attention to the devastation of animal
species up to this point, it shows the public which could be the next to go—in
some cases, the animals being photographed are the last remaining examples of
their species.
“Many of the zoos I go to are housing the only populations of these
animals,” Sartore notes. “There are no more in the wild, so these zoos really are
the keepers of the kingdom.”
Importantly, Sartore also lays out steps that we can take to
prevent future extinction. Right now, for example, he’s advocating for monarch
butterflies, whose species are dwindling. He’s asking his 926,000 Instagram
followers to grow milkweed plants—which the butterflies need to live—and
sharing resources on how and where to plant them.
In order to build the ark in a manageable way, Sartore chose to
focus on animals being held in human care (“It’d be very hard to get a tiger to
come out of the woods and pose on my backdrop”). He recognizes the important work
these institutions are doing as caretakers.
“They're holding on to these animals for us until we get smart
enough to restore the woods, to restore the marshes, to leave the oceans
alone,” he offers.
A Coquerel's sifaka, Propithecus coquereli, at the Houston Zoo.
Photo by Joel Sartore/National Geographic Photo Ark.
A pygmy slow loris,
Nycticebus pygmaeus, at Omaha's Henry Doorly Zoo and Aquarium. Photo by Joel
Sartore/National Geographic Photo Ark.
Sartore’s first photographs for the project were made at the
children’s zoo closest to his home in Lincoln, Nebraska. From there he spun
outwards, visiting Kansas City, then New Orleans—anywhere he could get to n his
Prius, which carried his portable photo studio.
He now spends 75% of the year traveling to shoot animals. He’s
covered nearly every species held in the U.S., and has started documenting
creatures overseas. A new TV mini-series on the project, which premieres July
18 on PBS, shares footage from trips last year to New Zealand, Cameroon, and
Madagascar, among other locations. Sartore has plans to visit Asia and Europe
this fall. “A lot of the species we’ll see in Asia especially are
endemic—meaning they’re restricted to that country or that location—so those
are all important to get while there's still time,” he explains.
But no matter the destination, the method largely stays the same.
When shooting smaller species, Sartore is given a space at the given
institution to set up his mobile studio, and animals are brought to him. With
larger animals, zoos prepare a space with a backdrop, and expose the animal to
the set-up in preparation for the shoot. The photo sessions are often scheduled
during feeding times—lunch is a helpful distraction. He tries to make the
shoots quick and seamless, to put as little stress on the animals as possible.
The resulting photographs have a cohesive style—crisp, brightly
lit, with black or white backdrops to best highlight the animal’s features.
Sartore, aiming for the powerful emotional pull of eye contact, aims to shoot
his subjects when they look directly into his lens.
“Eye contact is so attractive to human beings. We’re primates,
we’re very motivated and reactive to eye contact, so that's what we're going
for in every case,” he says. (Though he’s quick to add that some species he
shoots—sponges, corals, anemones, and some insects—don’t have eyes in the first
place.)
A federally
threatened koala, Phascolarctos cinereus, with her babies at the Australia Zoo
Wildlife Hospital. Photo by Joel Sartore/National Geographic Photo Ark.
Sartore has developed some tricks along the way. Small containment
tents and a flash can coax certain subjects, especially smaller land animals,
into eye contact. “It looks like they’re in there to get their senior prom
pictures done,” he jokes.
The best way to share his images, he’s found, is through Instagram.
Sartore himself has a hefty following, and his images are often featured on the
main National Geographic account, which has nearly 80 million followers.
“It's a really good time to get the word out, and try to get
species to go as viral as Kim Kardashian,” he quips, “to try to get people to
pay attention to more than just celebrity news and the price at the gas pump.”
Presently, Sartore says, the world’s accredited zoos, aquariums,
private breeders, and animal rehabilitation centers, hold around 13,000
species. But that number will drop over time as the last of some species die.
“That number’s going to diminish at the same time that the number of species
I've photographed is growing, so we’ll probably end up meeting at about
12,000,” he notes. Right now, he’s more than halfway there, with over 6,000
species documented.
Given that many of the species he shoots are the last of their kind,
Sartore believes that for many animal, his photographs are the final chance to
draw public attention to that animal’s endangerment. “Whether they're
considered a pest, something glorious and beautiful like a bird of paradise or
an elephant, or one of the non-charismatic species—the sparrows of the world,
the toads, the salamanders, the grasshoppers—I try to be the voice for the
voiceless.”
“It’s an honor and a big responsibility to to be entrusted to do
this, and I try to treat them all equally,” he adds, “they're all loved and welcomed
on board the Photo Ark.”
—Casey Lesser
https://www.artsy.net/article/artsy-editorial-photographer-mission-document-12-000-animal-species-extinct
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