With North Korea so often
discussed only in terms of extremes, this exhibit’s focus on the mundane is
what makes it so fascinating.
Christine Ro
Installation view of Made
in North Korea: Everyday Graphics from the DPRK at House of Illustration (image
courtesy the House of Illustration)
LONDON — Made in North
Korea: Everyday Graphics from the DPRK, a new exhibit at London’s House of
Illustration, shows that interesting graphic design can be showcased in utterly
prosaic objects, from cigarette boxes to bottled water labels and wrapping
paper.
This focus on the mundane
is, paradoxically enough, what makes the exhibit so fascinating. North Korea is
so often discussed only in terms of extremes. Thus, this show’s attention to
the ephemera of everyday life allows for different stories to be told about the
country.
Performance ticket for a
Schoolchildren’s Palace (centers of extracurricular excellence for local
children) (collection of Nicholas Bonner, photograph courtesy Phaidon)
For instance, commemorative
stamps featuring British royalty are a surprise. Also unexpected is the
well-crafted timelapse video showing a cross-section of Pyongyang life. This
depicts a pleasant capital whose people and routines (a crossing guard guiding
pedestrians along, skateboarding kids mugging for the camera) feel familiar —
although there were restrictions on what could be filmed, such as military
sites.
Also surprising and instructive
are the contradictions of North Korean cultural and political life on display.
Many product labels bear English text, which manufacturers hoped would lend
their products a mark of international quality. These packages of “canned
flatfish” and “sweet-smelling drops” sit in the same room as notepaper
extolling Korean superiority and comics demonizing American savages. The
objects point to an interesting tension in North Korean attitudes toward
foreigners: alternately venerating and denigrating them.
The ephemera on display
here was collected by Nicholas Bonner, a British tour guide and expert on North
Korean art, since 1993. Photos of his collection are gathered in the Phaidon
book Graphics from Everyday Life in North Korea, the basis for the current
exhibit. The display, however, is a bit too focused on objects for the
tourist’s ― even hotel “Do Not Disturb” signs and safety instructions for air
passengers are included, though they aren’t the most visually interesting of
objects. But overall, Made in North Korea packs a wide-ranging and well-curated
set of items into just a few rooms.
These few rooms are just as
cleverly and strikingly designed as the objects on display. The bright colors
of the propaganda posters, which have stirring socialist messages like “Let’s
take good care of the People’s assets!” pop against the vivid blue, yellow, and
orange walls. One room has turned North Korean food packaging and other items into
a wallpaper pattern, so that the walls themselves become part of the exhibit.
And the captions and explanations are helpful without being obtrusive or, as is
so often the case with exhibits of North Korean culture, well-meaning but
condescending……………
https://hyperallergic.com/432560/made-in-north-korea-house-of-illustration-nicholas-bonner/?utm_medium=email&utm_campaign=Mar%2016%202018%20-%20In%20Major%20Reversal%20Cooper%20Union%20Adopts%20Plan%20to%20Return%20to%20Full-Tuition%20Scholarships&utm_content=Mar%2016%202018%20-%20In%20Major%20Reversal%20Cooper%20Union%20Adopts%20Plan%20to%20Return%20to%20Full-Tuition%20Scholarships+CID_2a871b52d819a6d375a1c9ad40f637b3&utm_source=HyperallergicNewsletter
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