BRAFA, short for Brussels Art Fair, is one of the longest
running fairs in the world and is organized every year by the Belgian Antiques
Fair not-for-profit association. The first ever fair in 1955 was held in the Arlequin
Hall of the "Galerie Louiza". This initiative to set
up a “salon des antiquaires” was taken by Charles Van Hove, for many years the
President, and Ms Mamy Wouters, Vice-President, of the Royal Belgian Chamber of
Antiques Dealers. This first Belgian Antiques Fair or “Foire des Antiquaires de Belgique” copied the example of Grosvenor House
in London and the Prinsenhof in Delft, but preceded similar fairs set up in
Paris, Florence and Munich.
As the fair became increasingly successful and more and
more antiques dealers wanted to take part, the need arose for a hall on a scale
that could meet this growing demand. The range of art objects on display also
continued to expand. Between 1967 and 2003, the fair was held in the
"Palais des Beaux-Arts" in Brussels. Up until 1994, only Belgian
antique dealers who were members of the Royal Chamber of Antiques Dealers took
part in the fair.
It was a national event. The number of participants in the "Palais
des Beaux-Arts" varied
between forty and fifty. The first major development occurred when the then
President Christian de Bruyn opened the fair to foreign antique dealers for the
first time in 1995. The Belgian antique dealers saw this as a revolutionary
step. The fair had outgrown the "Palais des Beaux-Arts", and a new
location was sought. In 2004 the Belgium Antiques Fair moved to the Tour
& Taxis industrial
site in the Noordwijk district of Brussels alongside the Willebroek canal: a
true gem of Belgian industrial architectural heritage. Now that an ample
exhibition space with a huge capacity was guaranteed, the Antiques Fair
purposely sought to significantly increase the number of participants. Having
grown from twenty Belgian antique dealers at the outset to around one hundred
and thirty participants from both Belgium and abroad, the last few years have
seen the Antiques Fair become an international fair on a European scale.
The Antiques Fair works hard to increase the quality of the participants each year, but always
with the aim of retaining its own individual character. As
well as this internationalisation, over the years the fair has also embraced
modern and contemporary art. The name “Belgian Antiques Fair” or “Foire des
Antiquaires de Belgique” no longer reflects this development, and the fair was
renamed BRAFA or Brussels Art Fair in 2007. The Belgian antique dealers
have resolutely secured their position in the 21st century. The Belgian
Antiques Fair not-for-profit association was placed under the High
Protection of Her Majesty the Queen Paola 30 September
2009.
http://www.brafa.be/DesktopDefault.aspx?tabid=201
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