May 9, 2017 to September
10, 2017
The portrait medal is one
of the most important artistic inventions of the Renaissance and an essential
part of the history of portraiture in western art. Inspired by ancient coins,
medals were created primarily to commemorate individuals and events. Typically,
the front (called the obverse) bears a portrait of an individual, and the back
(or reverse) presents associated imagery and text, such as a heraldic device,
personal allegory, emblem, or narrative scene. All kinds of artists produced
medals — painters, printmakers, sculptors, and gold- and silversmiths. The art
form flourished across Europe in the fifteenth through the nineteenth century.
As it did, the making, form, and function of medals varied widely.
The Scher Collection is the
finest and most significant of its kind in private hands. Stephen K. and Janie
Woo Scher have generously given a substantial portion of their collection —
about 450 medals — to The Frick Collection, the largest gift in the museum’s
history. The Pursuit of Immortality celebrates this gift, presenting about 130
masterpieces from the collection.photo of gold medal with woman's face in
profile, wearing elaborate hair and neck piece
The exhibition traces the
story of the portrait medal from its beginnings in Renaissance Italy through
its histories in various European regions, including present-day Germany,
France, England, and the Netherlands. A small but significant grouping
illuminates the art of the medal in Russia, Scandinavia, and North America.
Because national borders have changed substantially since the fifteenth century
— Italy, for example, became a nation only in 1861 — the exhibition’s
geographic organization belies a complex history of these regions and their
medals.
A selection of
complementary works of art from the Frick’s holdings illustrates the
intersections between the medal and other arts and honors the medal as a
triumph of sculpture on a small scale.
The Pursuit of Immortality:
Masterpieces from the Scher Collection of Portrait Medals is organized by Aimee
Ng, Associate Curator at the Frick, and Stephen K. Scher, collector and art
historian. Accompanying the exhibition is a richly illustrated catalogue including
an essay by Aimee Ng. (In 2018, a catalogue of the entire Scher Collection will
be published, featuring essays by leading medals scholars and illustrated
entries about each of the almost one thousand medals in the collection).
The exhibition is made
possible by the Robert H. Smith Family Foundation, with major support from an
anonymous gift in memory of Melvin R. Seiden and the Centennial Foundation in
honor of Matthew McLennan. Additional funding is provided by Margot and Jerry
Bogert, Frances Beatty and Allen R. Adler, the Christian Keesee Charitable
Trust, and Charles Hack and Angella Hearn.
The exhibition catalogue is
underwritten, in part, by a grant from the Samuel H. Kress Foundation.
http://www.frick.org/exhibitions/scher
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