‘That little
seamstress’ is how the renowned Coco Chanel was once disdainfully described by
her contemporary Paul Poiret. He targeted her because she was a woman, but in
fact he saw her has a major competitor. Times have changed. More fashion houses
are now run by women than ever before. A perfect moment, therefore, for an
exhibition that focuses on strong women in fashion. Femmes Fatales, which can
be seen this autumn at Gemeentemuseum Den Haag, will be the first exhibition in
fashion history to focus exclusively on female designers. Do they design
differently for women than their male counterparts? What influence have they
had? What does being a woman mean in terms of their creations? And what is
their vision for fashion? The exhibition will include work by Coco Chanel,
Jeanne Lanvin, Elsa Schiaparelli, Mary Quant, Vivienne Westwood, Sonia Rykiel,
Miuccia Prada, Maria Grazia Chiuri (Dior), Dutch greats like Fong Leng, Sheila
de Vries and Iris van Herpen, and many others.
Maria Grazia Chiuri
at Dior, Miuccia Prada, Vivienne Westwood, Rei Kawakubo (Comme des Garçons),
Sarah Burton for Alexander McQueen and, until recently, Phoebe Philo for
Céline. They are all of them strong women. Their designs dominate today’s
catwalks and some of them also campaign for women’s rights or make explicit
political statements. Kawakubo took the Paris catwalks by storm in the 1970s
under the name ‘Comme des Garçons’, which literally means ‘like the boys’.
Throughout her career, Vivienne Westwood has been politically engaged,
campaigning for a range of political causes and for the environment.
In the 1980s
Katherine Hamnett used the T-shirt as a vehicle of expression. A photograph
showing her shaking hands with Margareth Thatcher while wearing a protest shirt
is known the world over.
More recently, in
her first collection for Dior, Maria Grazia Chiuri referred to a lecture and
publication by activist and author Chimamanda Ngozi Adichie: ‘We Should All Be
Feminists’. She printed this statement on T-shirts in her Spring 2017
collection, which were worn as part of an ensemble inspired by the New Look. A
year later, Chiuri again posed a provocative question on a T-shirt: ‘Why Are
There No Great Women Artists?’. Chiuri says that the rise of Donald Trump, the
women’s protest marches and the #metoo movement have prompted her to become
engaged in the public debate. The same applies to Angela Missoni (Missoni). In
her autumn 2017 collection show she brought the ‘pussy hats’ designed as a
protest against Donald Trump from the street to the catwalk.
With such strong
women who not only produce fabulous designs, but also show courage and are not
afraid to make clear statements, one can barely imagine that the first female
designers had to make their way in a man’s world. Until the abolition of the
guilds after the French Revolution, tailoring was exclusively a male
profession, as were embroidery and corsetry. Women sewed wool or linen items
for women’s wardrobes, made undergarments and children’s clothes, or fine decorations
for gowns. In the nineteenth century more and more women worked as
‘couturières’, French for seamstress. But it took a man, the Englishman Charles
Frederick Worth, to upgrade their profession, when he coined the term
‘couturier’. Soon afterwards, female couturiers started to open their own
couture houses. They included Jeanne Paquin and Jeanne Lanvin, and later
Gabrielle ‘Coco’ Chanel, Madeleine Vionnet, Madame Grès (Alix Barton) and Elsa
Schiaparelli. Like true femmes fatales, they made good use of their femininity
when it was expedient to do so, exploiting the fact that they were women to
emphasise that they understood completely how best to clothe the female body.
The period after the
Second World War saw the emergence of visionary designers like Mary Quant,
Sonia Rykiel and Barbara Hulanicki (Biba). This young generation also focused
on femininity and comfort. The wrap dress that Diane von Furstenberg designed
in the 1970s now seems so natural, but it was a revolution at the time.
Femmes Fatales –
Strong Women in Fashion will feature work by an impressive list of Dutch and
international female designers. Besides the internationally famous names, the
exhibition will also consider the women behind the scenes of many fashion
houses, whose far-reaching influence is something that has been completely
overlooked in fashion history.
https://www.gemeentemuseum.nl/en/exhibitions/femmes-fatales
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