Protesters
affiliated with the group Campaign Against Arms Trade outside the 2017 edition
of the Defence and Security Equipment International arms fair in London. Photo
by Diana More for Campaign Against Arms Trade, via Flickr.
In September, as the
largest arms fair in the world opens on one side of the Thames River in London,
a protest art exhibition will open on the other. “Art the Arms Fair,” now in
its second iteration, is a response to the biennial Defence and Security Equipment
International (DSEI), and a protest against the United Kingdom’s engagement in
the global arms trade.
The 2017 edition of
“Art the Arms Fair” featured Banksy’s Civilian Drone (2017), a painting of
three drones flying above a drawing of a bombed house and raised £205,000
($273,000) to benefit anti-war campaigns. This year’s show will be held at
Maverick Projects in Peckham from September 3rd to 13th, and proceeds will
benefit Campaigns Against Arms Trade (CAAT) and human rights organization
Reprieve. The show will feature 200 artists, including
many who live in war-torn countries.
Among them are Yemeni artists Saba Jallas and
Ahmed Jahaf. Jallas is known for her rendering images of smoke from bombs into
works of art. Jahaf, who uses simple symbolism to explain conflict, will raise
discussion about arms deals the U.K. has made with Saudi Arabia and the United
Arab Emirates in his work for the exhibition.
Darren Cullen, a satirical artist from the
U.K. who makes works like a Thomas the Tank Engine transformed into a literal
tank, cited his motivation for participating in the show in an interview with
Art The Arms Fair: “Dealers shouldn’t be able to get away with holding these
slick, lobster-and-champagne fuelled expos about their latest murder gadgets without
anyone trying to stop them.”
Jill Gibbon, who is known for sketching scenes
at weapons fairs while in disguise as an arms trader, as well as the anonymous
feminist collective the Guerrilla Girls, will also have works in the 2019
exhibition.
This year’s iteration comes at a time when the
relationship between the art world and the military industrial complex is under
heightened scrutiny. In July, Warren Kanders, a trustee at the Whitney Museum
in New York, was pressured to resign from his post for his involvement with
Safariland, a weapons manufacturer that has produced tear gas used at the
U.S.-Mexico border.
Rhianna Louise, an organizer of the
exhibition, positioned it as a challenge to the arms fair across town. She told
The Art Newspaper:
The DSEI arms fair brings war and conflict to
London. We will challenge it with something powerful, provocative and
beautiful.
Kelsey Ables
https://www.artsy.net/news/artsy-editorial-london-exhibition-will-open-protest-worlds-arms-fair
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