The combination of
photography with scent is a curious, if slightly unsettling one.
Deborah Krieger
Installation view of Jay
Muhlin: Kid at Vox Populi, Philadelphia (all photos by the author for
Hyperallergic)
PHILADELPHIA — There is a
photography exhibition at Vox Populi infused with the scent of flowers and
forests. The photographs, by Jay Muhlin, chronicle the life of, in the artist’s
own words, “a young girl who he is helping raise.” The girl in question
displays a whole range of childlike behaviors — playing in a garden, in various
costumes, mugging for the camera.
The combination of
photography with scent is a curious, if slightly unsettling one. Photography is
still held to have some measure of honesty, or a documentary nature to the
images it captures (or, more accurately, creates); yet smell is less objective,
since it conjures up memories and associations in immediate, primal, and
affective ways. I wondered, as I looked at these girlhood snapshots — of her
grimacing for the camera in plastic vampire teeth, or lying facedown in a bank
of snow — whether my perception was being manipulated by that sweet smell,
which primes us to feel happy and at peace.
Muhlin seems to acknowledge
and even revel in the unease photography can produce: one of the first
photographs on display depicts a cat (a recurring compatriot of the girl)
sitting on top of a stack of tomes whose titles — including The Anxiety of
Photography; Memories, Dreams, Reflections; Documentary Storytelling — allude
to the ambiguity of the rest of the exhibition, titled Kid. An adjacent
photograph, which depicts this child laying down a line of carrots away from a
bush, even reads like an invitation — as in, follow the rabbit hole into this
show, and into this heightened, floral-scented reality………………
https://hyperallergic.com/421271/jay-muhlin-vox-populi-scent-of-flowers/?utm_medium=email&utm_campaign=Daily%2012%20Jan%202018&utm_content=Daily%2012%20Jan%202018+CID_325d9275d804dea64c18b24342a3213a&utm_source=HyperallergicNewsletter
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