When Donald and Melania
Trump requested a Vincent van Gogh painting from the Guggenheim, the museum
responded with a counteroffer.
Elisa Wouk Almino
Maurizio Cattelan,
“America” (2016), gold (photo by Carey Dunne/Hyperallergic)
Last year, Donald and
Melania Trump asked the Guggenheim Museum if they could “borrow” a painting by
Vincent van Gogh to hang in the White House, the Washington Post reports. The
museum declined. Instead, it offered Maurizio Cattelan’s “America”: a
functioning toilet cast in 18-karat gold.
The toilet had been
installed on the museum’s fourth floor for one year, attracting hours-long
lines and much fanfare. The toilet was deinstalled last September, around the
time when curator Nancy Spector decided to respond to the President’s request.
In an email sent on
September 15 and obtained by the Washington Post, Spector wrote that Cattelan
“would like to offer it [‘America’] to the White House for a long-term loan.”
She elaborated, “It is, of course, extremely valuable and somewhat fragile, but
we would provide all the instructions for its installation and care.” The email
was addressed to Donna Hayashi Smith of the White House’s Office of the
Curator.
As for the piece the Trumps
wanted, van Gogh’s “Landscape with Snow” (1888), Spector wrote that it was
“prohibited from travel except for the rarest of occasions,” and was slated to
be displayed at the museum’s Bilbao location, after which the painting would
remain in New York “for the foreseeable future.”
“It’s a very delicate
subject,” Cattelan told the Washington Post, when asked about his offer to the
Trumps. “What’s the point of our life? Everything seems absurd until we die and
then it makes sense.” Spector declined to offer comment to the Washington Post,
and the White House did not respond.
A toilet on Hollywood
Boulevard (courtesy Art Finksters)
One wonders if Cattelan and
the museum took inspiration from the anonymous collective Art Finksters, who,
on Trump’s 100th day in office, installed golden toilets around the United
States bearing the message “Take a Trump!” and the image of a crown-wearing
pig. Both projects share in their mockery of a gaudy, all-gold aesthetic that
Trump seems quite fond of — from the gold plating on his airplane to the golden
detailing outside his New York penthouse.
Last August, Spector wrote
an article for the Guggenheim blog titled “Maurizio Cattelan’s Golden Toilet in
the Time of Trump,” in which she acknowledges the President has now become
“synonymous with golden toilets.” And, in September 2016, when “America” had
just been installed, a different Guggenheim curator, Caitlin Dover, wrote that
the “aesthetics of this ‘throne’ recall nothing so much as the gilded excess of
Trump’s real-estate ventures and private residences.” (This throne also had its
own security guard inspecting it after each visit, and a cleaning crew cleaning
the receptacle every 20 minutes.)
As Carey Dunne for
Hyperallergic observed pre-election — and after waiting for two hours to use
Cattelan’s golden toilet — “‘America’ is an epic troll. Under the specter of
the presidential campaign of Donald Trump … it also seems like a dark omen.”
https://hyperallergic.com/423442/trump-van-gogh-white-house-guggenheim-maurizio-cattelan/
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