Chicago is renowned
for its collections of master drawings both publicly and privately held. The
Art Institute of Chicago has been collecting these works for over a century and
has substantial world-class holdings—particularly with regard to drawings of the
French and Italian schools.
This exhibition highlights a selection of master drawings from the 17th to
mid-20th century that have been purchased by the museum over the past 25 years
but have not yet had occasion to be shown. Arranged chronologically, the
selection opens with masterpieces of the French school dating from the 17th
century through Neoclassicism. New representatives of Swiss, German, and
Austrian Romanticism, midcentury Realism, and Belgian Symbolism complement
other important works enhancing our already strong 19th-century group,
including an early beach landscape by Edgar Degas, a haunting self-portrait by
Henri Fantin-Latour, and a large preparatory drawing for the beloved Art
Institute painting Paris Street; Rainy Day by Gustave Caillebotte. The survey
culminates with images from the first half of the 20th century, among them the
momentous pastel January by
Grant Wood, creator of another Art Institute icon, American Gothic.
The Art Institute received its first major gift of drawings—almost 4,000
European and American works from Walter Gurley in memory of his mother, Leonora
Hall Gurley—nearly 100 years ago in 1922. In 1940, the museum brought on its
first professional curator dedicated to the medium, Carl O. Schniewind, and
began an ambitious program to acquire signal works of drawings. Ongoing
curatorial commitment was demonstrated in a 1991 show of the Art Institute’s
then-recent drawing acquisitions at the Frick Collection in New York.
Twenty-five years later, this presentation offers the chance to experience the
debut of these major works in the Art Institute galleries and appreciate how
they enrich the museum’s esteemed and wide-ranging collection.
http://www.artic.edu/exhibition/master-drawings-unveiled-25-years-major-acquisitions
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