As Wayne
McGregor’s award-winning ballet inspired by the writings of Virginia Woolf
returns, we take a closer look at the locations that influenced her work.
BY ROSE SLAVIN
Wayne McGregor’s
award-winning ballet Woolf Works returns
to the Royal Opera House this Season.
With the
triptych being inspired by the writings of one of the greatest figures in
literature, Virginia Woolf, we've
traced the writer's history through the locations that inspired her:
Adeline Virginia Stephen was born
at 22 Hyde Park Gate in Kensington on 25
January, 1882. As Virginia Woolf, she was to become one of the most
significant figures in London’s literary society and a leading modernist and
feminist thinker.
She came
from artistic stock; her father Sir Leslie Stephen was
an eminent editor and critic who exposed his children to an influential
Victorian literary crowd. Her mother, who died when Virginia was just 13 years
old, had been a model for the pre-Raphaelites, a group
of English painters.
In her early
years, Woolf lived in the white town house with her three siblings Vanessa
– later known as Vanessa Bell – and her two brothers, Thoby and Adrian
Stephen.
‘Why am I so incredibly and
incurably romantic about Cornwall?’, wrote Woolf in her diary in 1921. She
spent every summer of her childhood in St Ives at the family holiday home,
Talland House. The wild coast was to make notable impressions on her
writing.
Godrevy Lighthouse, which stands 86ft tall off Porthminster Beach, is
thought to have inspired Woolf’s novel To the Lighthouse. She signed the visitors’
book in autumn 1892 and the book was later sold at auction for more
than £10,000
In 1910, Virginia Woolf was part of
the infamous (and to modern minds somewhat unsavoury) Dreadnaught hoax, organized by her brother while he was at the University of
Cambridge. It was executed by a group of his friends that would
later form the Bloomsbury Group, a spin off from the exclusive Cambridge
society, The Apostles. The group caught the train from Paddington to Weymouth,
where they enacted a prank on the Royal Navy, claiming to be a delegation
of Abyssinian royalty and convincing the armed forces to
give them a tour of their flagship HMS Dreadnought. Woolf donned a fake beard an Orientalist
regalia for the occasion.
As they
toured the vessel to a guard of honour, the group muttered among themselves in
Latin and Greek to the bemusement of the crew, and even attempted to bestow
fake military honours on some of the sailors. When the prank was uncovered
after the group's return to London, the incident caused the Navy a good
deal of embarrassment in the press for several months.
After the death of
her father in 1904, Woolf sold her house near Hyde Park and moved to 46 Gordon
Square with her brothers. It was to be the first of five Bloomsbury addresses
at which the writer would reside. It was here that Woolf became close to the
members of the Bloomsbury Group, including founding writer Lytton Strachey, British painter Duncan Grant, the poet Rupert Brooke, and her soon-to-be husband Leonard Woolf.
In 1912 in
a humble registry office on Judd Street, Virginia became Mrs
Woolf. Despite her prevailing battle with bipolar disorder over the coming decades, Woolf attested all her
happiness to her husband Leonard – her final written words read, ‘I don't
think two people could have been happier than we have been’.
In 1914, the Woolfs
moved out of central London to Richmond. The following year they moved to
Hogarth House in Paradise Road and established The Hogarth Press – publishing work of T.S. Eliot among other contemporary writers, including Woolf herself.
Just east of Oxford, Garsington Manor was owned by a Bloomsbury Group
socialite Lady Ottoline Morrell and her husband Philip. It became a retreat
for many of the ‘Bloomsberries’, including Woolf.
It was later
bought by the Leonard Victor Ingrams who founded the Garsington Operafestival,
which from 1989 to 2011 was held each summer at the manor (and which
now continues at the nearby Wormsley Estate).
‘It will be an odd life, but… it
ought to be good for painting’, said Vanessa Bell of her relocation to Sussex
with her lover Duncan Grant.
Vanessa’s house, Charleston, became the country meeting
place for the writers, artists and intellectuals of the Bloomsbury Group and
was situated only a short distance from Woolf’s own country cottage.
The house
still retains work by the Bloomsbury artists, including murals, painted
furniture, ceramics and textiles. Bell and Grant created beautiful walled
gardens in the grounds in the 1920s, with a grid of gravel paths to divide up
each section of floral colour.
The Woolfs bought the 18th-century
cottage Monk's House in Sussex in 1919 and lived there
full-time after their flat in Bloomsbury was damaged during an air raid in
1940. The cottage is situated three miles from Lewes and is near the River
Ouse, where Woolf would drown herself a year later.
Between the Acts, her final novel published
posthumously in 1941, references the countryside and villagers of Rodmell. The
house is now owned by the National Trust and
is open to the public.
http://www.roh.org.uk/news/take-a-literary-pilgrimage-through-virginia-woolfs-england
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