viernes, 9 de junio de 2017


C’est par la force des choses que Fred Stein (1909-1967) est devenu photographe de métier. Né en Allemagne, avocat de formation, militant antifasciste et juif, Stein réussit à échapper au nazisme à deux reprises : une première fois, en 1933, pour se réfugier à Paris et une seconde fois, en 1941, pour rejoindre les États-Unis.

Son œuvre raconte le parcours d’une vie ballotée par l’Histoire, documente une époque et des lieux mais révèle surtout la profondeur et le talent d’un immense auteur quasiment inconnu jusqu’à ce jour.

Fred Stein’s photographs reflect a world seen with poignant clarity. Born in Dresden, Germany in 1909, he became a brilliant law student and fervent anti-Nazi activist. He was forced to flee to Paris in 1933. Living among a circle of expatriate artists and intellectuals, Stein became a photographer. He was a pioneer of the small hand-held camera – the Leica. Its mobility allowed him to range through the streets documenting the life he saw there with ease and naturalness. This new approach also enabled him to make strikingly intimate portraits of the people who shaped the intellectual life of Europe in the 1930’s.

When war was declared, Stein was put in an internment camp for enemy aliens. He managed to escape as the Nazis were entering Paris, and after a harrowing journey, was reunited with his wife and infant daughter in Marseilles, where the three boarded the S.S. Winnipeg, one of the last boats to leave France.

New York in the 1940’s gave him access to the great artists and thinkers who shaped our age; and the freedom and diversity of the New World inspired his reportage as he ranged from Fifth Avenue to Harlem. The historical importance of his work is elevated by the beauty of his art.

“I first met Fred when we were both refugees fighting the totalitarian Nazi regime through the rather poor means we had. In his time he was very much in the avant-garde, a brilliant photographer inspired by his quest for justice and his concern for truth so clearly reflected in his photographs. He truly was a man of vision, and his choice of people and subjects is an obvious proof of it.”

-Willy Brandt, Chancellor of Germany

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