BY ABIGAIL CAIN
No one is quite sure how
Caravaggio died. Perhaps, as researchers suggested in 2010, it was lead
poisoning from oil paint. Perhaps, as another scholar claimed in 2012, he was
murdered by a vengeful contingent of the Knights of Malta. Or perhaps it was simply
heat exhaustion that pushed the already-wounded artist over the edge.
What no one disputes is
that, in the years leading up to his untimely death, Caravaggio’s work
underwent a transformation. And according to Keith Christiansen, chairman of
the European painting department at the Metropolitan Museum of Art, those
changes distilled the painter’s genius even further.
Christiansen encouraged the
Met’s 1997 purchase of The Denial of Saint Peter (1610), Caravaggio’s
penultimate painting. “It was then my conviction, and has been increasingly so,
that Caravaggio's most moving and profound works” were created during the
artist’s final years in exile from Rome, Christiansen said, during a lecture at
the Met earlier this month.
Caravaggio did not leave
the city of his own accord. A brawler with a temper, he had been known to prowl
the streets with a pack of painters and swordsmen, looking for trouble. But
this mischief-making turned criminal on May 28, 1606, when Caravaggio killed a
man named Ranuccio Tomassoni during a gang fight. The artist had always claimed
friends in high places, but this time they couldn’t clear his name (at least,
not right away). Rather than face capital punishment, he slipped away from Rome………
https://www.artsy.net/article/artsy-editorial-caravaggios-paintings-reveal-tumultuous-final-days
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