Monica Uszerowicz
A chart by the Southern
Poverty Law Center cataloguing Confederate symbols around the country recently
resurfaced.
150 Years of Iconography,
courtesy of Southern Poverty Law Center. Sourced from their story, Whose
Heritage? Public Symbols of the Confederacy (click to enlarge)
After 21-year-old terrorist
Dylann Roof took the lives of nine black men and women at a church in
Charleston, South Carolina, the media flooded us with images of the killer,
leering and wielding a Confederate flag. The photographs were accompanied by
Roof’s bold, supposedly self-processed claim: he’d wanted to “start a race
war.”
Suddenly, there was a
nationwide movement to reassess and erase the flag from public spaces. The
Southern Poverty Law Center (SPLC) began to catalog Confederate symbols around
the country, stating: “There was no comprehensive database of such symbols…In
an effort to assist the efforts of local communities to re-examine these
symbols, the SPLC launched a catalog to study them.”
The final tally, which
“excluded nearly 2,600 markers, battlefields, museums, cemeteries, and
other…symbols,” identified 1,503 “Confederate place names and other symbols in
public spaces, both in the South and across the nation,” including 718
monuments and statues, and 109 public schools named for Confederate icons.
In addition to the names
and placements of these symbols, the SPLC also noted a peculiar social history
attached to them, which they charted in an infographic in April 2016 that has
recently resurfaced. There were two major periods during which the dedication
of Confederate monuments and other symbols spiked: the first two decades of the
20th century and, later, the Civil Rights movement. As they explain:
[T]wo distinct periods saw
a significant rise in the dedication of monuments and other symbols. The first
began around 1900, amid the period in which states were enacting Jim Crow laws
to disenfranchise the newly freed African Americans and re-segregate society.
This spike lasted well into the 1920s, a period that saw a dramatic resurgence
of the Ku Klux Klan, which had been born in the immediate aftermath of the
Civil War.
The second spike began in
the early 1950s and lasted through the 1960s, as the civil rights movement led
to a backlash among segregationists. These two periods also coincided with the
50th and 100th anniversaries of the Civil War.
Take a look at the
infographic. Note the massive cluster of dedications of monuments around the
time the National Association for the Advancement of Colored People (NAACP) was
being formed, and the dedications’ continued persistence during the KKK’s
resurgence. Check out the sudden rise in the dedication of schools, named in
honor of Confederate soldiers, almost immediately following Brown v. Board of
Education. Note that there were less dedications of Confederate symbols during
race riots, even a significant dip during the Detroit uprising of 1943.
You can trace a clear spike
in the dedication of Confederate monuments whenever black Americans organized
in a concrete way; when they were made visibly vulnerable — such as in the
instance of uprisings — the commitment to Confederate symbolism tapered off.
According to this data,
it’s clear that once black Americans sought their own agency or publicly
defended their rights, white supremacists and Confederate apologists became
eager to crowd around these monuments in tender affection and homage, to
espouse this history. The monuments had a purpose, newly reinstated again and
again, to revive and cherish white history each time minorities, especially
black people, made themselves visible. The common refrain in support of the
Confederate flag (“heritage, not hate”) quickly dies on its own sword. There’s
no pride, except for the kind rooted in a fear of white erasure.
After mining the data, it’s
clear white panic is real. Amidst their Nazi-style chants of “blood and soil,”
and “Jews will not replace us,” 100 racist, tiki-wielding goyim dressed as
indignant garden gnomes are enough to make you forget the initial alibi for
last weekend’s Unite the Right rally — the potential removal of the Robert E.
Lee monument from Emancipation Park — and focus on its actual intention. That,
of course, was a convocation for racist ideology, which ultimately resulted in
the death of Heather Heyer, numerous injuries, and widespread horror.
There’s now an effort to
remove more monuments, either by official decision or sheer will. Early this
morning in Baltimore, Mayor Catherine Pugh ordered overnight removals of four
Confederate monuments. Two days ago, in Durham, North Carolina, a group of
protestors toppled a statue of a Confederate soldier themselves. A Confederate
statue in Gainesville, Florida, nicknamed “Old Joe,” was removed Monday, and in
Kentucky, Lexington Mayor Jim Gray announced his decision to ask City Council
to relocate two Confederate monuments. In a recent interview with PBS, author,
historian, and University of Richmond professor Edward Ayers reminds us “had
[the Confederacy] won, you would’ve had an independent nation overseeing the
largest and most powerful system of slavery in the modern world…it’s harder and
harder for the older story — the Confederacy as merely a defense of states’
rights against the federal government — to stand.”
In a letter to his wife,
Mary Anne Lee, Robert E. Lee — often purported to have been neutral on the
subject of slavery — wrote, “In this enlightened age, there are few I believe,
but what will acknowledge, that slavery as an institution, is a moral &
political evil in any Country…I think it however a greater evil to the white
man than to the black race…The painful discipline they are undergoing, is
necessary for their instruction as a race, & I hope will prepare & lead
them to better things.” There’s no way around it: the Confederacy, at its core,
was determined to preserve slavery. The Mississippi Declaration of causes for
secession stated, “Our position is thoroughly identified with the institution
of slavery — the greatest material interest of the world.” Alexander H.
Stephens, Vice President of the Confederacy, in an example of solipsistic
logic, said in his 1861 Cornerstone Speech, “They assume that the negro is
equal, and hence conclude that he is entitled to equal privileges and rights
with the white man. If their premises were correct, their conclusions would be
logical…but their premise being wrong, their whole argument fails.”
Every photograph of Roof
and his flag are disturbing. But one is painterly in composition, props framed
just so, the Confederate symbol placed almost casually — just another ugly
layer in an image mostly dotted with landscape elements. In a moment of visual
irony, which becomes trite as soon as you realize Roof was probably aware of
it, our subject is buttressed by pots of vulnerable small marigolds on either
side of him. He sits with a defiant insouciance, Confederate flag in one hand,
gun in the other; his weapon is pointed at the grass, unassuming flora in the
foreground, as if he intends to shoot the flowers themselves. Roof’s reading of
the flag is the best argument for its removal, and the removal of any
Confederate monument — he’s never felt hate and heritage were mutually
exclusive.
https://hyperallergic.com/396116/confederate-monuments-southern-poverty-law-dylann-roof/?utm_medium=email&utm_campaign=Saving%20the%20Art%20and%20Home%20of%20Mary%20Nohl%20Whose%20Neighbors%20Called%20Her%20a%20Witch&utm_content=Saving%20the%20Art%20and%20Home%20of%20Mary%20Nohl%20Whose%20Neighbors%20Called%20Her%20a%20Witch+CID_b16fe686bc681fc9df64fdd7032dae28&utm_source=HyperallergicNewsletter&utm_term=Charting%20the%20Proliferation%20of%20Confederate%20Symbols%20Alongside%20Social%20Movements
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