President Trump speaking in
Warsaw last month. Credit Stephen Crowley/The New York Times
To the Editor:
Re “A President’s
Ill-Informed Grandiosity” (Critic’s Notebook, July 31), about President Trump’s
extolling Western culture by saying, “We write symphonies”:
It was appalling to hear
Mr. Trump invoke the Western musical tradition in furtherance of his Islamophobic
agenda. Equally depressing, though, has been the rush of music critics
practically tripping over themselves in attempting to distance those remarks
from the image of artistic egalitarianism carefully cultivated in the popular
and academic musical press over the last few decades.
Anthony Tommasini’s article
struck me as a particularly egregious example of this obsessive anti-elitism: a
well-intentioned but ultimately unfortunate phenomenon for the long-term health
of American classical music.
There can be no question
that using Western art to belittle other cultures will further alienate the
general public, but so too will the idea that what we do is no better or worse
than any other cultural offering.
We need not swing from one
extreme to the other, and if we do — if we accept, as Mr. Tommasini suggests,
that “Eleanor Rigby” “is just as profound as Mahler’s ‘Resurrection’ Symphony”
— we’re digging our own professional graves. After all, who would voluntarily
sit through an 80-minute, or even a 30-minute, symphony if one could have an
equally profound experience with a two-minute pop song?
I appreciate Mr.
Tommasini’s and others’ willingness to speak out against Mr. Trump’s co-opting
of Beethoven et al., but we need to be careful that, in doing so, we don’t
slide into the same anti-intellectualism and petulant relativism that led to
his election in the first place.
DAVID CREAN, DAYTON, OHIO
https://www.nytimes.com/2017/08/08/opinion/trump-symphonies-isis-and-pop-music.html?rref=collection%2Ftimestopic%2FClassical%20Music&action=click&contentCollection=timestopics®ion=stream&module=stream_unit&version=latest&contentPlacement=3&pgtype=collection
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