February 25–May 18, 2014
This exhibition of stained glass from England's historic Canterbury
Cathedral features six Romanesque-period windows that have never left the
cathedral precincts since their creation in 1178–80.
Lamech
(detail), from the Ancestors of Christ Windows, Canterbury Cathedral, England,
1178–80. Colored glass and vitreous paint; lead came. Images © Robert Greshoff
Photography, courtesy Dean and Chapter of Canterbury
Founded in 597, Canterbury Cathedral is one of the oldest Christian
structures in England. It was an important pilgrimage site in the Middle
Ages—as witnessed by Geoffrey Chaucer's Canterbury Tales, a literary
masterpiece from the fourteenth century—and is also the cathedral of the
Archbishop of Canterbury, the leader of the Church of England and the Anglican
Communion worldwide. Recent repairs to the stonework of the magnificent
historic structure necessitated the removal of several delicate stained-glass
windows of unparalleled beauty. While the restoration of the walls has been
undertaken, the stained glass has also been conserved.
The windows shown at The Cloisters are from the clerestory of the cathedral's
choir, east transepts, and Trinity Chapel. The six figures—Jared, Lamech,
Thara, Abraham, Noah, and Phalec—were part of an original cycle of eighty-six
ancestors of Christ, the most comprehensive stained-glass cycle known in art
history. One complete window (Thara and Abraham), rising nearly twelve feet
high, is shown with its associated rich foliate border.
Masterpieces of Romanesque art, these imposing figures exude an aura
of dignified power. The angular limbs, the form-defining drapery, and the
encompassing folds of the mantles all add a sculptural quality to the majestic
figures. The glass painting, which is attributed to the Methuselah Master, is
striking for its fluid lines, clear forms, and brilliant use of color.
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