“Then Jacob called
for his sons and said: ‘Gather around so I can tell you what will happen to you
in days to come. Assemble and listen, sons of Jacob; listen to your father
Israel’ (Genesis 49).”
These words are the final instructions given by Jacob, patriarch of
the Israelites, to each of his sons, the founders of the Twelve Tribes of
Israel, before his death. Following these prophetic words, Jacob narrates the
different attributes he sees in each of them and gives direction for what each
one should do in the future. This biblical text inspired Francisco de Zurbarán
(1598-1664) to create one of his most important and monumental series, a total
of thirteen canvases, with all but one in the collection of a single owner.
These life-size figures were created during the 1640s, coinciding with
Zurbarán’s artistic maturity and during the time when his workshop was
producing works destined for the Spanish territories in the Americas, for which
the wealthy city of Seville was the main gateway into Europe. In fact, the
Jacob series is clearly related to the New World, since at least two copies
reside in the cities of Puebla (Mexico) and Lima (Peru). The connections
between Jacob being given the promised land by God and the theory that America was
where the Lost Tribes of Israel had been found are arguments that scholars
continue to discuss in order to understand the realization of a series such as
this, which remains a rare subject in Christian iconography.
If the series itself is extraordinary because of its quality and
rarity, its provenance is also of great interest. Although it is believed that
these works were destined for the Americas, there is evidence that they were in
England in the early eighteenth century. They have been housed at Auckland
Castle since 1756, the year they were purchased at auction in London by Richard
Trevor, the fifty-fourth Bishop of Durham. Trevor ran out of funds before being
able to purchase Benjamin, so he had a copy made by British artist Arthur Pond
(1705-1798) in order to have the entire group represented at his residence. The
original Benjamin has remained in a private collection ever since, but it will
join its “brothers” in a historic reunion for this exhibition.
This exhibition marks the first time these precious holdings will
be presented in America, and only the second time in history that they leave
Auckland Castle, a unique opportunity to admire a rare assemblage of Zurbarán’s
oeuvre. A major study of the series is being undertaken that will include a
meticulous technical analysis of all the paintings as well as the publication
of a catalogue with essays by a number of specialists. After its presentation
at the Meadows Museum the works will be featured at The Frick Collection in New
York, the only other venue for this exhibition.
This exhibition has been co-organized by the Meadows Museum, SMU;
The Frick Collection; and Auckland Castle; in association with the Kimbell Art
Museum. A generous gift from The Meadows Foundation has helped make this
exhibition and technical study possible. The exhibition catalogue has been
underwritten by the Centro de Estudios Europa Hispánica and the Center for
Spain in America.
The wallpaper featured in this exhibition has been graciously sponsored
by Zoffany Wallpapers and Culp Associates.
Promotional support provided by The Dallas Morning News and the
Dallas Tourism Public Improvement District.
https://meadowsmuseumdallas.org/exhibitions/current-and-upcoming/zurbaran/
No hay comentarios:
Publicar un comentario