Since the Al Bustan
Festival was founded in 1994, it has established in Lebanon a unique and
unprecedented tradition of a music season in winter.
The founders wished to
revive the cultural life of a country reemerging after seventeen years of war.
The Festival has indeed reached its objective, presenting each year more than
thirty performances over a five week period in February and March. With a predominance
of chamber music, the Festival also includes opera, orchestral concerts, choral
concerts, dance, marionettes and theatre.
The Festival takes special
care in presenting each year a rich and homogeneous programme focused around a
special theme, celebrating the culture of a country or a city, or exploring a
special subject. The Festival likes to be daring in its choice of artists,
works and performances.
Amongst the many artists
who have taken part in the Festival are: Olaf Baer, Maria Ewing, Elena Prokina,
Angelika Kirschlager, Vadim Repin, the Labeque sisters, Boris Berezovsky,
Evelyn Glennie, Jean-Claude Malgoire, Friedemann Layer and the Montpellier
Philharmonic Orchestra, the Polish National Radio Symphony Orchestra, the
Medici, Skampa, Belcea, Chilingirian, Takacs and Leipzig quartets as well as
the Schubert Ensemble, the Wiener Kammerensemble, the Helikon Opera of Moscow,
the Warsaw Chamber Opera, the Vienna Boys Choir, the Choir of Christ Church
Cathedral, Oxford, the English Shakespeare Company, Jean Piat, the Salzburg
Marionettes, Irek Mukhamedov, Trilok Gurtu, the Jacques Loussier Trio, Katia
Ricciarelli, Sumi Jo, Gautier Capucon, Inva Mula, Emmanuel Pahud, Yundi Li,
Sergei Khachaturyan, June Andersen,Paolo Olmi, Soweto Gospel choir, Antoni Wit
and many others.
In keeping with its
cultural vocation, the Festival organises master classes and workshops, with
the participating artists at the National Conservatoire in Beirut and other
institutions across Lebanon. The Festival has commissioned works by
contemporary composers such as John Taverner, Naji Hakim and Roxanna Panufnik.
A Visual Art exhibition is organised each year during the Festival.
Given that the average capacity
of the Festival’s venues is about 450 seats, an intimate bond is reached
between the public and artists, who are also able to meet after the
performances in a relaxed and friendly atmosphere.
http://albustanfestival.com/previous-festivals/history-of-the-festival/
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