When the playwright and director, Moss Hart, published his autobiography, "Act One," in 1959 it was a sensation, filled with vivid recollections of colorful characters, especially Hart's first great collaborator, the brilliant George S. Kaufman.
The book gave a fascinating insider's view of how a show really gets to the stage. Many people feel it has never been bettered. "Act One" was more than just a Broadway tale, though. It was a bestseller for almost a year, topping the New York Times list for 41 weeks. Why would this story of the playwright and director's early years be so wildly and widely popular?
We think it's because "Act One" is not just the ultimate valentine to the theater. It is also a Dickensian story of a young immigrant and his family, struggling to escape poverty in the early 20th century. From tenements to glamorous townhouses, from Buffalo stages to Catskills summer camps, and finally to the Broadway of his dreams, Hart's masterful telling captures the hope, misery and comedy of the climb, but also the glee of making it - because he did! A classic New York story.
Now, almost 75
years after Moss Hart's first Broadway success, James Lapine (who knows a thing
or two about collaboration from his many shows written with Stephen Sondheim)
brings ACT ONE to the stage. He has written and will direct this world premiere
production at the Beaumont this spring. Tony Shalhoub, playing both George S.
Kaufman and Moss Hart as an adult, is familiar to LCT audiences as the father
in Golden Boy for which he was nominated for a Tony Award last season. Santino
Fontana (the Tony-nominated prince in Broadway's Cinderella) portrays Mr. Hart
as a young man. Andrea Martin (Tony winner for her spectacular turn as Berthe
in Pippin, and also for LCT's My Favorite Year) plays Aunt Kate, a pivotal
figure in Hart's early life
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