March 8–June 8, 2014
This exhibition focuses on Paul Gauguin’s rare and
extraordinary prints and transfer drawings, and their relationship to his
better-known paintings and his sculptures in wood and ceramic. Comprising
approximately 150 works, including some 120 works on paper and a critical
selection of some 30 related paintings and sculptures, it is the first
exhibition to take an in-depth look at this overall body of work.
Created in several discreet bursts of activity from 1889
until his death in 1903, these remarkable works on paper reflect Gauguin’s
experiments with a range of mediums, from radically “primitive” woodcuts that
extend from the sculptural gouging of his carved wood reliefs, to jewel-like
watercolor monotypes and large, mysterious transfer drawings.
Gauguin’s
creative process often involved repeating and recombining key motifs from one
image to another, allowing them to evolve and metamorphose over time and across
mediums. Printmaking, which by definition involves transferring and multiplying
images, provided him with many new and fertile possibilities for transposing
his imagery. Gauguin embraced the subtly textured surfaces, nuanced
colors, and accidental markings that resulted from the unusual processes that
he devised, for they projected a darkly mysterious and dreamlike vision of life
in the South Pacific, where he spent most of the final 12 years of his life.
Though Gauguin is best known as a pioneer of
modernist painting, this exhibition showcases a lesser-known but arguably even
more innovative aspect of his practice.
http://www.moma.org/visit/calendar/exhibitions/1418
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