September 23, 2017–January
1, 2018
This exhibition surveys the
career of the preeminent Dada and Surrealist artist Max Ernst (French and
American, born Germany. 1891–1976), with particular emphasis on his ceaseless
experimentation. Ernst began his pursuit of radical new techniques that went
"beyond painting" to articulate the irrational and unexplainable in
the wake of World War I, continuing through the advent and aftermath of World
War II. Featuring approximately 100 works drawn from the Museum’s collection,
the exhibition includes paintings that challenged material and compositional
conventions; collages and overpaintings utilizing found printed reproductions;
frottages (rubbings); illustrated books and collage novels; sculptures of
painted stone and bronze; and prints made using a range of techniques. Several
major, multipart projects represent key moments in Ernst’s long career, ranging
from early Dada and Surrealist portfolios of the late 1910s and 1920s to his
late masterpiece—a recent acquisition to MoMA's collection—65 Maximiliana, ou
l’exercice illégal de l’astronomie (1964). This illustrated book comprises 34
aquatints complemented by imaginative typographic designs and a secret
hieroglyphic script of the artist’s own invention.
Organized by Starr Figura,
Curator, Department of Drawings and Prints, and Anne Umland, The Blanchette
Hooker Rockefeller Curator of Painting and Sculpture, with Talia Kwartler,
Curatorial Assistant, Department of Painting and Sculpture.
https://www.moma.org/calendar/exhibitions/3869?locale=es
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