3 June – 25 September 2016
This ground-breaking exhibition is part of events to mark the 100th
anniversary of the Dada movement, which came into being in Zurich. The
retrospective explores the historical sweep of Picabia’s (1879 –1953)
provocative career – from his early successes as an Impressionist painter and
his essential contribution to Dada, via his controversial pin-up girls and
through to his abstract works created after the Second World War. Picabia
remains a hotly debated figure among the great artists of the 20th century, owing
to his distinctive eclecticism and persistent, deliberate contradictions.
Throughout his life, he reflected on the operation of style, subverted
categorizations and set his face against systems of value judgment that
distinguished high art from kitsch and conservatism from radicalism, and this
in a self-critical manner and with acerbic humour. For all the demystification
of painting that underpinned his Dada activities, Picabia continued to paint
frenetically until his death while at the same time constantly reinventing the
technique. While the works from Picabia’s Dada years are well known, his oeuvre
as a whole and his propensity for working in a wide variety of painting styles
still await more in-depth examination.
Francis Picabia
Udnie (Young American Girl; Dance), 1913
Oil on canvas, 290 x 300 cm
Centre Georges Pompidou/Musée National d‘Art Moderne, Paris. Purchased by the state
© 2016 ProLitteris, Zurich
Udnie (Young American Girl; Dance), 1913
Oil on canvas, 290 x 300 cm
Centre Georges Pompidou/Musée National d‘Art Moderne, Paris. Purchased by the state
© 2016 ProLitteris, Zurich
Taken as a whole this comprehensive exhibition, which opens the Festspiele Zürich 2016, shows the extent to which Picabia’s work questions the principles of the modern. It comprises some 150 works, including around 100 paintings, complemented by a meticulously compiled selection of works on paper, avant-garde magazines for which he wrote or which he published himself, and examples of his film and theatre production.
The exhibition is a collaboration with the Museum of Modern Art, New York, where it will be on display from November 2016.
In the framework of the Festpiele Zürich
Supported by the Ernst Göhner Foundation and the Truus and Gerrit van Riemsdijk Foundation
Supported by the Ernst Göhner Foundation and the Truus and Gerrit van Riemsdijk Foundation
http://www.kunsthaus.ch/en/exhibitions/coming-soon/francis-picabia/
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