November 19, 2014–March 15, 2015
This exhibition
of paintings, drawings, and watercolors by Paul Cézanne (French, 1839–1906)
traces his lifelong attachment to Hortense Fiquet (French, 1850–1922), his
wife, the mother of his only son, and his most painted model. Featuring twenty-four
of the artist's twenty-nine known portraits of Hortense, including Madame Cézanne in the Conservatory (1891) andMadame Cézanne in a Red Dress (1888–90), both from the Metropolitan
Museum's collection, the exhibition explores the profound impact she had on
Cézanne's portrait practice.
The works on view were painted
over a period of more than twenty years, but despite this long liaison,
Hortense Fiquet's prevailing presence is often disregarded and frequently
diminished in the narrative of Cézanne's life and work. Her expression in the
painted portraits has been variously described as remote, inscrutable,
dismissive, and even surly. And yet the portraits are at once alluring and
confounding, recording a complex working dialogue that this unprecedented
exhibition and accompanying publication explore on many levels.
http://www.metmuseum.org/exhibitions/listings/2014/madame-cezanne
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