Ingram Gallery
Chaos and Awe: Painting for
the 21st Century, a sweeping survey of contemporary art from around the world,
celebrates paint’s capacity to weave together images of physical reality,
memories, emotions, and the virtual world. The artists in the exhibition dramatically
describe the destabilizing effects of such 21st-century forces as globalism,
mass migration, radical ideologies, and complex technologies.
The feelings these artists
express, which range from despair at humanity’s darker side to exhilaration at
ever-expanding possibilities, are associated with the sublime, a concept that
has traditionally referred to being awestruck by the unfathomable power of God
and nature. While this can involve sensations of terror and helplessness, it
can also relate to wonder, as discussed by the 19th-century artist and critic
John Ruskin:
Anything which elevates the mind is
sublime, and elevation
of mind is produced by the
contemplation of greatness of any
kind. ... Sublimity is, therefore, only
another word for the
effect of greatness upon the feelings;
greatness, whether
of matter, space, power, virtue, or
beauty: and there is
perhaps no desirable quality of a work
of art, which, in its
perfection, is not, in some way or
degree, sublime.
Chaos and Awe shows
painting to be an apt medium for conveying a contemporary notion of the
sublime, with works in the exhibition providing visual analogies for the great
depth and mystery of the human mind and its extension into the world.
Chaos and Awe was organized
by Mark Scala, chief curator, Frist Art Museum.
http://fristartmuseum.org/calendar/detail/chaos-and-awe-painting-for-the-21st-century
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