May 10–August 24, 2014
The Museum of Modern Art presents a major retrospective
devoted to the art of Lygia Clark (Brazilian, 1920–1988), the first
comprehensive exhibition in North America of her work.
Lygia Clark: The
Abandonment of Art, 1948–1988 comprises nearly 300 works made between the
late 1940s and her death in 1988. Drawn from public and private collections,
including MoMA’s own, this survey is organized around three key themes:
abstraction, Neo-Concretism, and the “abandonment” of art. Each of these axes
anchors a significant concept or a constellation of works that mark a
definitive step in Clark’s career. While Clark’s legacy in Brazil is profound,
this exhibition draws international attention to her work. By bringing together
all parts of her radical production, the exhibition seeks to reintroduce her
into current discourses of abstraction, participation, and a therapeutic art
practice.
Lygia Clark (1920–1988) trained in Rio de Janeiro and Paris
from late 1940s to mid-1950s and was a leading abstract artist at the forefront
of the Neo-Concretist movement in Brazil, fostering the active participation of
spectators through her works. From the late 1960s through the 1970s she created
a series of unconventional artworks in parallel to a lengthy psychoanalytic
therapy, leading her to develop a series of therapeutic propositions grounded
in art. Clark has become a major reference for contemporary artists dealing
with the limits of conventional forms of art.
Museum facilitators will be present in the galleries to
help visitors experience of a selection of Clark’s "sensorial
objects."
http://www.moma.org/visit/calendar/exhibitions/1462
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